Lost Lands 2026 Lineup
Excision's dinosaur-themed headbanging convention: three days at Legend Valley and the largest concentration of heavy dubstep on the calendar.
Lost Lands is expected back September 2027 (dates aren't announced yet). Until then, here's the full 2026 lineup and the acts you would have loved.
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About Lost Lands 2026
Lost Lands is the largest gathering of heavy dubstep on the planet, and it is unapologetic about it. Excision built it at Legend Valley in Ohio, decorated it with animatronic dinosaurs, and books essentially nothing but bass across three days and 200-plus sets.
Excision himself takes three billings: a two-hour set, a Detox set and a b2b with Space Laces. Beneath that the top block is a full survey of the genre: Subtronics, Seven Lions, Illenium, Slander, Ganja White Night, Liquid Stranger, Zomboy, Flux Pavilion, Caspa, Funtcase, Krewella and Sullivan King. The lower block runs over a hundred deep into riddim, halftime and experimental bass.
Day splits for the main three days haven't been published. Early-entry pre-parties run on the Wednesday and Thursday beforehand, drawing from the same pool of artists.
Expect dubstep, dance, electronic and bass across 213 acts.
Lost Lands 2026 lineup & schedule: all 213 acts
Search it, filter by day, stage or genre. Save anything straight to your schedule.Browse all 213 acts →
Search it, filter by day, stage or genre. Save anything straight to your schedule.
Excision (Detox Set)
Excision B2B Space Laces
Disciple mainstays making precise, sound-design-obsessed dubstep — surgical basses and glitch detail that reward headphones as much as rail-riding.
Calcium
Houston producer working the heavier, low-slung end of dubstep — sound-system weight and sub-bass detail over festival-sized drops.
One of dubstep's original architects — the pre-brostep London sound, wobbly and rooted in sound-system culture, straight from the scene's foundational era.
Distinct Motive
Emorfik
Hairitage
American producer working the heavy end of bass music, with sound-system dubstep built for big rooms.
Texas producer whose 'Rail Breaker' became a festival-circuit standard — hype-first dubstep with a mosh-caller's instincts.
Bay Area duo working the funky, wonky end of West Coast bass — Oakland low-end with a grin.
Colorado producer with a filthy, funk-inflected take on heavy bass — wonky, wobbling drops with an audible sense of humor.
Masked UK producer dealing in the filthiest end of dubstep, and one of its most reliable live presences — DPMO sets with zero mercy.
Jkyl & Hyde
American duo working the heavy, low-slung end of bass music, built around abrupt switch-ups rather than steady momentum.
Miami producer working the heavier, low-slung end of bass music — sound design built for big systems rather than headphones.
Bay Area producer making textural, emotionally pitched bass music — heavy when it wants to be, weightless when it matters.
Drinkurwater
Infekt
Montréal producer working the heavier, more mechanical end of dubstep — sound design built for volume, all grinding textures and precision drops.
Disciple-school dubstep — technical, mechanical and built around sound design rather than melody.
Dutch producer who broke into bass music while still a teenager, pairing brutal dubstep design with a melodic streak he keeps refusing to abandon.
Bear-costumed producer whose gimmick outlasted the joke because the tracks hold up — heavyweight dubstep and riddim with genuine pit credentials.
Canabliss
HOL!
Swings between crushing riddim and full melodic bass, often inside the same set — mammoth branding, matching drops.
Circus Records co-founder — 'Sweet Shop' is effectively a foundation stone of UK dubstep, and the wobble has aged into legend.
The trio who effectively invented halftime — drum and bass slowed to a swaggering crawl, sound design that rewards headphones and necks alike.
Coined 'Laserbeam' and turned it into one of the most recognisable drops in modern bass music — headbanger melodrama at maximum voltage.
Plays guitar and screams over his own dubstep — the metal/bass crossover taken entirely seriously, pits and drops in equal measure.
Wakaan founder whose bass music leans psychedelic and genuinely weird rather than purely heavy — label boss of freeform bass's whole ecosystem.
Israeli producer who coined 'gorestep' — deliberately obnoxious, and very good at it, with filthy drops engineered to offend and delight simultaneously.
Long-running Colorado bass producer with roots in glitch-hop's original scene — heavyweight drops with an old head's swing.
Trio riding the new melodic-bass wave — riddim with feelings, drops that aim at the chest and the heart at once.
Half of Gud Vibrations — heavy festival trap with a melodic streak that keeps widening, drops built for fireworks cues.
The Resistance
Deep dubstep built almost entirely from sub-bass and space — the antidote to riddim, meditative pressure at chest depth.
Australian producer making some of the heaviest and most precise riddim going — surgical drops with zero wasted motion.
UK duo who took liquid drum and bass to the top of the charts without losing the dancefloor — 'Nobody to Love' still lifts.
Yookie
New York duo dealing in heavy, distortion-first bass music — dubstep built for maximum physical impact.
Hartlepool producer working the melodic end of heavy bass music, where future-bass sweetness gets bolted onto dubstep low-end.
Heyz
Effin
PhaseOne
Mexico's leading bass export, and a genuinely relentless live presence — heavyweight drops delivered with headliner command.
Riddim producer with a distinctly murky, low-slung sound — phantom-themed bass aimed at the darkest corner of the pit.
Riddim producer with a heavy, deliberately repetitive approach built for the pit — one-eyed branding, single-minded drops.
Circus Records co-founder whose 'I Can't Stop' riff became one of dubstep's most-sampled moments — even Jay and Kanye borrowed it.
Ram Records duo making big, melodic drum and bass built for a main stage — polished drops with genuine songcraft in the builds.
Melodic dubstep with a trance heart — soaring vocal tops over drops that still hit hard underneath, Ophelia-label worldbuilding included.
Layz
UK producer whose mid-2010s dubstep is still the reference point for a whole strand of the genre — wobble-era heaviness, undimmed.
Jump-up drum & bass's loudest new star — pure warehouse chaos, double-drops stacked until the low end wins.
New Zealand duo working the deep, sub-heavy end of dubstep — sound-system music, not festival music, and better for it.
Zingara
Baltimore producer working the heavier, more textural end of dubstep.
Chicago's future-bass wunderkind, grown into a versatile electro-pop craftsman — collabs across pop's whole spectrum, festival sets with pop fluency.
Bass music with metal's aggression baked in — heavy, dark, and increasingly vocal-led, Boise drops with blast-furnace weight.
Manchester's jump-up juggernaut — relentless double-drops and dancefloor pressure from one of drum & bass's most in-demand new-school names.
Belgian duo trading in wobbling, psychedelic dubstep with a genuinely distinctive low-end signature — the wobble is the brand and the argument.
LA producer working the space where house bounce meets bass-music weight — g-house grooves cut with hip-hop swagger.
Coined 'heaven trap' and then spent a decade proving it was a real thing — gospel-sized drops with genuine ache.
Austrian producer at the technical peak of neurofunk — impossibly clean, impossibly heavy, drum and bass engineered to laboratory tolerances.
Riddim producer with a heavy, minimal approach — a lot of space around some very large sounds, engineered for maximum stank face.
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
The defining voice of melodic bass — emotional, arena-scaled drops built around real songwriting, sad songs engineered for fireworks.
The crew who effectively launched festival trap out of Chicago's juke and footwork scene — rattling 808s with hometown rave DNA.
Æon:Mode
Heavy, dark bass music from one of the scene's newer names — grinding low end and horror-tinted atmosphere aimed squarely at the headbang.
Cowboy-hatted hardcore producer pushing tempos well past 180 with a completely straight face — Texas kitsch welded to gabber punishment.
Reaper
German electronic project pushing electro's harder edges toward techno — machine music with a heavy low end.
French crew who came up through drum and bass and never lost the punk energy — genre-hopping bass sets played like a rock show.
Gladde Paling
Three-time DMC world champion — a scratch DJ playing bass music, which is rarer than it should be, and the technical ceiling of any lineup he's on.
The most important American drum and bass DJ of his generation, and still an exceptional technician — Pittsburgh-bred precision that helped build the US scene.
Australian producer working the harder end of the spectrum — hardstyle kicks and wide-open melodies engineered for peak-hour rooms.
Wonkywilla
Sings and plays guitar over his own productions — closer to a band than a DJ set, melodic bass with a rock frontman's instincts.
Know Good
Ophelia-affiliated producer working the emotional, trance-leaning end of melodic bass — soaring vocals over drops with genuine lift.
Classically trained, which is audible in how carefully his heaviest drops are constructed — precision-tooled dubstep with composure under the chaos.
Belgian producer with a horror-movie sensibility and some of the meanest sound design in dubstep — monster-movie drops built with real craft.
Textural, psychedelic bass music — heavy without being blunt about it.
Producer folding live saxophone into heavy bass music, a rare instrumentalist's touch in a scene built on the drop.
Masked Atlanta duo working the dark, alien end of festival bass — extraterrestrial lore, subterranean growls, and drops built for maximum abduction.
Emotional melodic bass with a confessional streak — heartbreak anthems engineered for the festival rail.
Canadian duo who helped invent melodic dubstep with a run of era-defining remixes — soaring vocals over filthy-then-gorgeous drops that taught bass music how to feel.
UK bass house with garage in its bones — rolling, swung and bass-forward.
Fast-rising Denver bass producer — melodic drops with teeth, riding the front of the dubstep scene's younger, wilder generation.
High-velocity festival bass designed for maximum impact in the shortest possible window — Ohio-bred drops engineered like demolition charges.
The Yousaf sisters singing live over their own bass drops — pop songwriting welded to heavy electronic music, a decade past 'Alive' and still swinging.
Producer's producer — sound design so intricate that other artists study his sessions, drops built like Swiss watches.
Louisiana producer who plays live guitar over riddim — swamp-funk licks in a robotic genre, and a genuinely funny, warm presence in a serious scene.
Passport
Australian producer specialising in bass-house with real swing to it — G-house slink at festival scale.
LA duo dealing in feelings-first melodic bass — soaring vocal drops built for crowd-wide singalongs.
Stumpi
Black Tiger Sex Machine (Unmasked Set)
Genre-hopping producer who moves between bass house and full-on dubstep in a single hour — ghoulish branding, versatile drops.
Culture Shock (DnB)
RAM Records veteran James Pountney: melodic drum and bass built on big vocal hooks, splitting his time between rolling club singles and pop remixes.
Chassi
Gardella
Hershe
Sydney's bass-and-hard-dance hybridist — trap weight at hardstyle tempos.
Izzy Vadim
Jaenga
Mad Dubz
Guildford producer working the riddim end of dubstep, built on lurching mid-range and drops sized for a big soundsystem.
Mile32
Mport
Muerte
Nikita, The Wicked
Usaybflow
Alienpark
Dutch producer building heavyweight low-end music at hip-hop tempos — sound design first, with the drop treated as a structural problem rather than a formula.
Machaki
Mindset
Phrva
Rsun
Rzrkt
Super Future
Grand Rapids producer building club-weight bass music out of breakbeats and bassline pressure, arranged for sound systems rather than singalongs.
Zen Selekta
Shank Aaron
Riddim producer with an ear for the exact moment a drop should stop dead — silence weaponized.
Paper Skies
Lazrus
Seth David
Crizzly
VKTM
Dr. Ushuu
Poni
UK producer known for metallic, precision-engineered mid-range bass — dubstep at its most abrasive and mechanical.
$J
Austeria
The Frim
Future Exit
Chicago rapper and producer who is also a working visual artist, pairing woozy, psychedelic-leaning beats with a restless DIY streak.
Dubscribe
Kliptic
Nimda
Dirtysnatcha
Canadian producer dealing in the heaviest end of dubstep — sound design built for sub-bass systems and very little else.
Vampa
Xotix
Izadi
Psychedelic bass producer whose sets lean weird rather than purely heavy — wonky low-end from the freeform school.
Richard Finger
Zero
KLO
Los Angeles bass and UK garage, built for the sound-system end of the room — an underground following and cosigns from Disclosure, Fred Again and Hamdi.
Lumasi
Casey Club
Subsonic
The architect of eskibeat and one of grime's founding figures, whose icy, video-game-cold productions set the template the whole scene grew from.
Riot
Belgian producer working the harder edges of drum and bass — bass-forward, riff-driven tracks aimed squarely at the dancefloor.
Neumonic
Twopercent
American dubstep duo trading in the heavy, mid-tempo end of the genre since 2009 — grinding, cartoonishly filthy drops engineered for big rooms.
Scandinavian duo with a bright, hyperactive take on bass music and a big Monstercat catalogue — neon drops with pop bones.
2DY4
Newer riddim producer whose tracks land squarely in the genre's heaviest lane — no-frills drops built for rail-riders.
All The Reason
Capochino
Myrias
Whales
Los Angeles producer working the blackened end of bass music, where industrial abrasion and horror atmosphere meet a very physical low end.
Crumb Pit
Green Matter
Stoned Level
Big Florida
Bella Renee
Saint Miller
Prosecute
Mozey
UK producer working in drum and bass, built for the tighter end of the dancefloor.
Noetika
Chozen
Monstercat producer making bright, video-game-coded bass music — 8-bit maximalism with an arcade grin, drops in primary colors.
Leotrix
Sydney producer working the heavy end of bass music, pairing dubstep weight with melodic writing.
Melodic bass with genuine harmonic sophistication under the drops — a producer's producer whose sound design gets studied as much as danced to.
Mythm
Canadian bass project working the slower, more textural end of dubstep — heavy low end arranged with unusual patience.
Newer bass producer with a clean, aggressive sound — surgical drops from the scene's rising class.
Wraz
Space Wizard
Darksiderz
Plays live violin over his own bass productions, which is as unusual as it sounds — classical chops folded into experimental low end.
Hard-hitting bass and harder drums from one of the scene's most reliable energy dealers.
UK producer with a bright, technically dense take on bass music — sound-design detail at party tempo.
Brainrack
Dutch producer whose restless, genre-agnostic bass music keeps mutating between releases — precision sound design with zero brand loyalty.
Lowcation
Pretty Sweet
Dream Takers
Luci
Avello
Finnuh
Ryns
Codd Dubz
American producer working the heavier, riddim-adjacent end of dubstep — bass design built for sound systems rather than headphones.
Distant Matter
Sqishi
Arlo
ROI*
Hurtbox
Zoey808
Hostage Situation
Modal Nodes
Skilah
Wakaan-affiliated producer making psychedelic, texture-heavy bass music — liquid sound design that favors immersion over impact.
Cult US power metal from the early '80s, revered far more for a small run of recordings than for any road history — melodic, near-mythic heavy metal with a devoted following.
Sportmode
YVM3
Remk
Sisto
Vocalist and songwriter behind a great many trance and melodic bass records, now fronting her own — the genre's most recognizable voice stepping into the spotlight.
Killmatter
OG Nixin
American duo at the emotive end of melodic bass — orchestral pads and vocal-led builds engineered so the drop lands as catharsis rather than impact.
Onara
Yetep
Los Angeles producer working the melodic end of bass music, with remixes that pull pop hooks into festival-scale drops.
Up-and-comers to catch early
Ghengar — Murky, low-slung riddim from one of the scene's newer names.
Blossom — Heavy, dark bass and a fast-rising reputation.Neotek — Riddim producer squarely in the genre's heaviest lane.
Josh Teed — Plays live violin over his own bass productions.
Other acts worth planning around
- Excision B2B Space Laces — His most frequent collaborator, and the heaviest billing of the weekend.
Subtronics — Currently dubstep's biggest draw after Excision himself.
Seven Lions — The melodic counterweight to a very heavy bill.
- Caspa — One of dubstep's original UK architects, a long way from home.
Krewella — Sung live over their own drops.
Ivy Lab — The trio who effectively invented halftime.
The lineup by day
Day-by-day splits for the main festival have not been announced. Early-entry pre-parties run Wednesday and Thursday, September 16–17, with artists drawn from the same lineup.
Wednesday lineup (September 16)
Barely Alive, Calcium, Caspa, Distinct Motive, Emorfik, Hairitage + 14 more
Thursday lineup (September 17)
Dirt Monkey, Funtcase, Alienpark, Deadcrow, Machaki, Mindset + 5 more
Friday lineup (September 18)
Excision (2 Hour Set), Bear Grillz, Benda, Borgore, Canabliss, Dion Timmer + 58 more
Friday set times (63 sets)
- Tynan · Prehistoric Stage
- Shank Aaron · The Crater
- Paper Skies · Wompy Woods
- Lazrus · Subsidia Stage
- Seth David · Prehistoric Stage
- Crizzly · The Crater
- VKTM · Wompy Woods
- Jkyl & Hyde · Prehistoric Stage
- Dr. Ushuu · Forest Stage
- Poni · Subsidia Stage
- BadKlaat · The Crater
- Benda · Wompy Woods
- Ravenscoon · Prehistoric Stage
- $J · Subsidia Stage
- Austeria · Forest Stage
- Drinkurwater · Wompy Woods
- The Frim · The Crater
- Infekt · Prehistoric Stage
- Samplifire · Prehistoric Stage
- Future Exit · Subsidia Stage
- Probcause · Forest Stage
- Dion Timmer · Wompy Woods
- Bear Grillz · The Crater
- Canabliss · Forest Stage
- HOL! · Prehistoric Stage
- Dubscribe · Subsidia Stage
- Wooli · Wompy Woods
- Doctor P · The Crater & Raptor Alley
- Ivy Lab · Forest Stage
- Ray Volpe · Prehistoric Stage
- Sullivan King · Prehistoric Stage
- Kliptic · Subsidia Stage
- Liquid Stranger · Wompy Woods
- Borgore · The Crater
- Jantsen · Forest Stage
- Levity · Prehistoric Stage
- Nimda · Subsidia Stage
- NGHTMRE · Wompy Woods
- Dirtysnatcha · The Crater
- Vampa · Subsidia Stage
- Xotix · Forest Stage
- Excision (2 Hour Set) · Prehistoric Stage
- The Resistance · Wompy Woods
- The Widdler · The Crater
- Izadi · Subsidia Stage
- Shlump · Forest Stage
- Funtcase · Raptor Alley
- Richard Finger · Forest Stage
- Zero · Subsidia Stage
- Sippy · Wompy Woods
- Sigma · Raptor Alley
- KLO · Subsidia Stage
- Lumasi · Forest Stage
- Yookie · Wompy Woods
- Casey Club · Subsidia Stage
- Subsonic · Raptor Alley
- Wiley · Forest Stage
- Riot · Wompy Woods
- Oliverse · Wompy Woods
- Basstripper · Raptor Alley
- Neumonic · Subsidia Stage
- Twopercent · Forest Stage
Saturday lineup (September 19)
Æon:Mode, Audiofreq, Blossom, Bou, Craze, Cyclops + 59 more
Saturday set times (65 sets)
- 2DY4 · The Crater
- Neotek · Prehistoric Stage
- All The Reason · Wompy Woods
- Capochino · Prehistoric Stage
- Myrias · Subsidia Stage
- Whales · The Crater
- HVDES · Wompy Woods
- Heyz · Prehistoric Stage
- Crumb Pit · Forest Stage
- Green Matter · Subsidia Stage
- Stoned Level · The Crater
- Big Florida · Wompy Woods
- Effin · Prehistoric Stage
- Bella Renee · Forest Stage
- Saint Miller · Subsidia Stage
- PhaseOne · Wompy Woods
- Prosecute · The Crater
- Jessica Audiffred · Prehistoric Stage
- Mozey · Forest Stage
- Noetika · Subsidia Stage
- Ghengar · Wompy Woods
- Cyclops · The Crater
- Flux Pavilion · Prehistoric Stage
- Delta Heavy · Forest Stage
- Chozen · Subsidia Stage
- Seven Lions · Wompy Woods
- Layz · The Crater
- Zomboy · Prehistoric Stage
- Hedex · Forest Stage
- Truth · Subsidia Stage
- Zingara · Wompy Woods
- Whethan · The Crater
- Kai Wachi · Prehistoric Stage
- Bou · Forest Stage
- Tokyo Machine · Subsidia Stage
- Ganja White Night · Wompy Woods
- Dr. Fresch · The Crater
- Slander · Prehistoric Stage
- Mefjus · Forest Stage
- Leotrix · Subsidia Stage
- Level Up · Wompy Woods
- Subtronics · Wompy Woods
- Illenium · Prehistoric Stage
- Flosstradamus · The Crater
- Æon:Mode · Forest Stage
- Blossom · Forest Stage
- Au5 · Subsidia Stage
- Lil Texas · Raptor Alley
- Reaper · Forest Stage
- Mythm · Subsidia Stage
- Ivory · Wompy Woods
- Dirtyphonics · Forest Stage
- Gladde Paling · Raptor Alley
- Wraz · Subsidia Stage
- Space Wizard · Wompy Woods
- Craze · Forest Stage
- Dieselboy · Forest Stage
- Darksiderz · Raptor Alley
- Josh Teed · Subsidia Stage
- Madgrrl · Raptor Alley
- Tisoki · Wompy Woods
- Audiofreq · Raptor Alley
- Brainrack · Wompy Woods
- Imanu · Forest Stage
- Lowcation · Subsidia Stage
Sunday lineup (September 20)
Excision (Detox Set), Excision B2B Space Laces, Adventure Club, Alleycvt, Armnhmr, ATLiens + 49 more
Sunday set times (55 sets)
- Pretty Sweet · The Crater
- Usaybflow · Prehistoric Stage
- Mad Dubz · Prehistoric Stage
- Dream Takers · Wompy Woods
- Luci · The Crater
- Avello · Prehistoric Stage
- Wonkywilla · Wompy Woods
- Finnuh · Subsidia Stage
- Ryns · Forest Stage
- Codd Dubz · The Crater
- Grabbitz · Prehistoric Stage
- Know Good · Wompy Woods
- Distant Matter · Forest Stage
- Sqishi · Subsidia Stage
- Trivecta · The Crater
- Kompany · Prehistoric Stage
- Eptic · Wompy Woods
- Lyny · Wompy Woods
- Arlo · Forest Stage
- ROI* · Subsidia Stage
- Sodown · The Crater
- Excision (Detox Set) · Wompy Woods
- Hurtbox · Subsidia Stage
- Zoey808 · Forest Stage
- ATLiens · Prehistoric Stage
- William Black · The Crater
- Adventure Club · Wompy Woods
- Taiki Nulight · Forest Stage
- Hostage Situation · Subsidia Stage
- Alleycvt · Prehistoric Stage
- Crankdat · Prehistoric Stage
- Krewella · The Crater
- Virtual Riot · Wompy Woods
- Modal Nodes · Subsidia Stage
- Skilah · Forest Stage
- Excision B2B Space Laces · Prehistoric Stage
- Boogie T · Wompy Woods
- Champagne Drip · The Crater
- Passport · Forest Stage
- Warlord · Subsidia Stage
- Wax Motif · Forest Stage
- Sportmode · Raptor Alley
- YVM3 · Subsidia Stage
- Armnhmr · Wompy Woods
- Stumpi · Forest Stage
- Remk · Raptor Alley
- Sisto · Subsidia Stage
- Haliene · Wompy Woods
- Black Tiger Sex Machine (Unmasked Set) · Forest Stage
- Killmatter · Raptor Alley
- OG Nixin · Subsidia Stage
- Crystal Skies · Wompy Woods
- Ghastly · Forest Stage
- Onara · Subsidia Stage
- Yetep · Wompy Woods
Lost Lands 2026 lineup FAQ
When is Lost Lands 2026?
September 18–20, 2026, with early-entry pre-parties on September 16 and 17.
Where is Lost Lands held?
Legend Valley in Thornville, Ohio.
Who is headlining?
Excision, who plays three separate billings including a two-hour set and a b2b with Space Laces.
How many acts are playing?
210 acts across the weekend.
Are day-by-day lineups published?
Not for the main three days. The Wednesday and Thursday early-entry lineups are out.
How do I work out which acts I'd like?
With a bill this size that's the whole problem. Type a few artists you already love into the search at the top of this page and you'll get ranked matches, with reasons.
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