Amber-toned reggae-rock positivity out of Omaha: three decades of hybrid grooves, rap-rock verses, and sunny choruses that made them a permanent institution of the summer shed circuit.
Alt-rockReggae-rock
Name a few bands you love and we'll scout all 141 acts on the Warped Tour Orlando bill for the ones you shouldn't miss.
Free account: we'll email you when it's out, and your saved festivals follow you to every device.
Warped Tour's Florida stop runs two days on the Camping World Stadium campus, and it is billed the way Warped has always been billed: one alphabetical block, no headliners, no hierarchy. That's not an oversight on our part: the festival publishes no billing order at all, so this page lists all 141 bands flat, exactly as the lineup poster does.
The spread is enormous. Jimmy Eat World, Taking Back Sunday, The Used, Third Eye Blind, Dropkick Murphys, Simple Plan, New Found Glory, Silverstein and Thrice cover the nostalgia end. Sublime, Reel Big Fish, Save Ferris and MxPx handle ska and skate-punk. Sunami, Drain, Pain of Truth, Madball, Knocked Loose-adjacent hardcore and Suicide Silence cover the heavy end. And Hot Mulligan, Origami Angel, Arm's Length, Ben Quad, Teen Mortgage and Winona Fighter represent whatever emo is doing now.
Expect pop-punk, emo, post-hardcore and alt-rock across 141 acts.
Star the acts you want now. When set times drop, your schedule is already built.
Amber-toned reggae-rock positivity out of Omaha: three decades of hybrid grooves, rap-rock verses, and sunny choruses that made them a permanent institution of the summer shed circuit.
Alt-rockReggae-rock
Canada's post-hardcore heart: three voices trading scream, croon, and rasp across one beloved catalog, with reunion sets that feel like national holidays back home.
Post-hardcore

Rock y alternativo
The Circa Survive singer's solo work: that unmistakable keening voice over looser, warmer arrangements, trading post-hardcore tension for campfire-scale intimacy.
EmoIndie-rock
Ontario emo revival with a knack for the exact line that lands hardest, plus huge choruses, harder feelings, and a scene-beloved catalog that punches far above its weight.
Emo
Slug and Ant's Rhymesayers cornerstone, with conversational, self-lacerating rap over dusty, patient loops, still the blueprint for Midwest underground hip-hop's emotional honesty.
Underground-hip-hop
Fat Wreck melodic punk with four-part harmonies and no patience for anyone's nonsense, with SoCal hooks carrying unapologetically feminist fire.
PunkMelodic-punk
Progressive metal with no regard for song length: polka breaks, jazz detours, and genuine death-metal fury, often inside the same eleven-minute track.
Prog-metalMathcore
Blackpool band that walked away from pop-punk toward something darker, grimier, and considerably more interesting: industrial-gray alt-rock with real atmosphere.
Alt-rockPost-hardcore
Texas pop-punk comedians with better songwriting chops than the joke suggests, and twenty-five years of hooks hiding under the punchlines.
Pop-punkComedy rock
Rock
Richmond pop-punk with a genuine pop instinct: hooks first, scene second, and choruses polished enough to pass for radio pop with the guitars turned down.
Pop-punk
Sunny pop-rap with a guitar underneath, and 'Drew Barrymore' breeziness built for a summer that never quite ends.
Pop-rap
Bedroom-goth alt-pop with acoustic sadness and distorted 808s in roughly equal measure, and 'Trailer Trash' as the viral flashpoint.
Alt-popEmo-rap
Californian hardcore outfit formed in 2021, working the fast and blunt end of the style.
Punk
Swancore's funk-flecked flagship (technicolor riffs and dual-vocal whiplash) with a prolific catalog that never stopped mutating.
Post-hardcoreSwancore
Mexican emo-rock pioneers with border-town anthems for a generation that learned to scream along in Spanish first.
Rock en españolEmo
Sunny California hardcore that treats a circle pit as a party rather than a fight, and the scene's most reliably grinning live band.
HardcoreCrossover-thrash
Boston Celtic-punk with bagpipes, union politics, and a singalong rate of roughly one per song ('Shipping Up to Boston' being merely the loudest).
Celtic-punk
Divisive by design, with nu-metal bounce, deathcore weight, and Frankie Palmeri saying the unsayable, engineered to start arguments and pits alike.
DeathcoreNu-metalcore
Atlanta crunk-rock: dance-punk silliness played entirely straight and very loud, a MySpace-era party that never acknowledged the era ended.
Crunk-rockElectronic-rock
Punk
Metal
Detroit pop-punk with more literary ambition than the genre usually allows, and scene-beloved records that read as well as they shout.
Pop-punkEmo
Scuzzy internet-age alt-pop.
Alt-pop
Travis Barker-adjacent pop-punk duo that is glossy, fast, and unashamedly hooky, a scene revival built for playlists and pits alike.
Pop-punk

Rock
Protest-minded alt-rock with trap production underneath: agitprop you can actually move to, delivered with genuine live-wire intensity.
Alt-rockElectronic-rock
Travie McCoy's band bent rap, rock and pop into one radio-shaped thing, and Cupid's Chokehold and Stereo Hearts are the proof. Live they play it as a party rather than a nostalgia set.
Pop-rapAlt-rock
Ohio emo survivors whose mid-2000s records are still the reference point for the whole scream-over-the-chorus template, played now with veterans' gratitude.
EmoPost-hardcore
LA project trading in cinematic, brooding alt-pop with a big low end, with grief-forged songs delivered with theatrical force.
Alt-popDark-pop
Bright, funk-tinged pop-punk from a duo with an unusually sharp sense of groove: scene revival with actual rhythm-section chops.
Pop-punkAlt-pop
Early-2000s alt-rock with one inescapable ballad and a harder-edged catalogue behind it: 'The Reason' opens the lighters, the rest brings guitars.
Post-grungeAlt-rock
Crunk-screamo maximalism: the most 2008 band that has ever existed, affectionately, MySpace chaos preserved in amber and played loud.
ElectronicoreScreamo
Bay Area hardcore with a metallic edge and a vocalist who does not let up, pit fuel from the scene's deep bench.
HardcoreMetalcore
Beastie Boys energy for the TikTok era: relentless, giddy, all-caps fun, two friends rapping like the '80s never ended.
RapPunk-rap
Rock
Pop
Vancouver pop-rock with theatre-kid ambition: multi-part suites and Josh Ramsay's four-octave showing-off, concept albums played like Broadway.
Pop-rockPower-pop
Rock
Southern-fried metalcore built around the Barrow gang mythology, with slide guitar over breakdowns and Alabama grit in every groove.
Southern-metalMetalcore
Los Angeles punk band centered on Mimi Doe and Ryan McGuffin, turning more melodic on Play Niis, their Rise Records debut.
Alternative
Chaotic Southern metalcore: dissonant, lurching, and famously punishing to watch from the front, two decades of controlled collapse.
MetalcoreMathcore
A two-piece making absurdly dense, tapping-heavy emo that sounds like four people having the best day of their lives. Gami gang, assemble.
EmoMidwest-emo
Queens rap-rock that genuinely fuses both halves rather than alternating them, with livewire energy and a message underneath.
Rap-rockAlt-rock
Alternative
Formerly Slaves, rebuilt around melody, they make modern post-hardcore with the edges sanded deliberately smooth and the choruses aimed at radio.
Post-hardcoreAlt-rock
Rock
Alternative
Monique Powell's ska-pop outfit, brass-forward and built around one of the era's biggest voices, 'Come On Eileen' cover and all.
Ska-punk
Alternative
Pop-punkEmo
Nu-metal revivalists working bouncing downtuned riffs and rapped verses, with a playful streak that suits the name.
Metal
Canadian post-hardcore that outlasted the scene it came from by simply never getting worse, and 'My Heroine' is still a full-crowd scream.
Post-hardcoreEmo
Montreal pop-punk that took the genre fully mainstream and has never pretended otherwise, with 'I'm Just a Kid' now two generations deep.
Pop-punk
Kellin Quinn's falsetto-fronted post-hardcore: Warped Tour royalty matured, with the high notes fully intact and scene-era devotion still filling rooms.
Post-hardcorePop-punk
British band reviving 2000s alt-rock gloss with a genuinely modern pop sensibility, with Y2K crunch and algorithm-era hooks.
Alt-rockNu-metal
Sun-bleached ska-punk-dub hybrid, now carried by Bradley Nowell's son with the songs left intact, and '40oz. to Freedom' forever.
Ska-punkReggae-rock
Deathcore's early standard-bearers, with blast beats into breakdowns delivered at maximum volume and Mitch Lucker's legacy carried respectfully forward.
Deathcore
Bay Area beatdown that turned meme-level swagger into a genuinely feared live act, and the joke stopped being a joke fast.
HardcoreBeatdown
William Beckett's Chicago pop-punk is swaggering, scarf-wearing, and sharper than the scene remembers, with 'About a Girl' still gleaming.
Pop-punkEmo-pop
Seattle's funk-flecked pop-metalcore puts groove first and breakdowns second, with falsetto hooks the scene didn't see coming.
Pop-metalcore
Arizona pop-rock that split up, reunited, and came back noticeably better: second acts done right.
Pop-rockPop-punk
Big-chorus indie-rock built for a room singing back. Nick Anderson's phrasing does a lot of the work, and the crowd does the rest.
Indie-rockAlt-pop
Semi-charmed alt-rock perfection: a greatest-hits set with no skips, doot-doot-doots at maximum participation, Jenkins still selling every word.
Alt-rockPower-pop
Post-hardcore that leans into the ache, with glossy production over genuinely raw heartbreak, built for night drives after the show.
Post-hardcoreMetalcore

Alternative

Alternative
Alternative
Nashville punk trio with a drummer-vocalist front and centre and no interest in polish, with raw hooks played standing on the kit.
PunkAlt-rock
Alabama rapper who kept drifting toward country and rockabilly without ever losing the double-time flow, Slumerican to the bone.
Southern-rapCountry-rap
DONTTRUSTME and the rest of the MySpace-era catalog, played fully self-aware, with neon electro-rap chaos that has aged into a gleeful, shout-along riot live.
CrunkcoreElectropop
New England metalcore that leaned into melody early and got a career of radio singles out of it, trading screams for choruses at exactly the right moment.
Metalcore
Queens punk with a morbid streak and lead guitar lines that owe more to metal than emo, a craftsmanship that turned a scene band into a twenty-year institution.
EmoPunk-rock
LA trio splitting the difference between pop-punk revival and moody alt-rock, with new-school scene energy and a darker, radio-ready finish.
Alt-rockPop-punk
Fifth-wave emo at its most frantic, with tapped riffs and throat-shredding payoffs in equal measure, from a band that treats catharsis as a competitive sport.
EmoMidwest-emo
California crew working the blunt end of beatdown hardcore, with breakdowns built for pit damage rather than for anyone's stereo.
Metal
Started as screamo-electro and ended up as a straight dance act, with both halves still showing up live as MySpace nostalgia collides with festival EDM.
ElectronicElectropop
Florida post-hardcore with clean-vocal lift and an ear for the theatrical, technical enough for the Swancore crowd and catchy enough for everyone else.
Post-hardcorePop-punk

Grunge-weight emo that has quietly drifted toward something looser and poppier without losing the murk: Toledo's finest, still evolving album over album.
EmoAlt-rock
Fat Mike's genre-agnostic side project: punk, rap, and folk stitched into something genuinely odd, with Ceschi's rapid-fire verses at the center.
PunkHip-hop
Melodic hardcore at its most emotionally scoured, with Brendan Murphy's voice permanently at the edge, and a Canadian scene institution because of it.
Melodic-hardcore
Theater-kid pop-punk menace, self-branded 'bubble-grunge' with a wink, with Brooklyn duo energy engineered for glitter and mosh in equal parts.
Pop-punk
Gothic pop with metallic edges: theatrical dark-pop vocals over production that keeps one boot in the metal scene.
Dark pop
Nashville rapper with a rock streak and a fiercely independent release history, and melodic grit built entirely outside the label system.
Hip-hopRap-rock
Mid-2000s Colorado post-hardcore band who ran synths and electronics through screamo at the peak of that scene, and who are back on stages after years of silence.
Rock
Rock
'The Question'-era screamo-pop veterans who are still swinging, with dueling vocals and dynamic whiplash from one of the scene's smartest bands.
Post-hardcoreEmo
Texas metalcore built on clean-vocal lift and reliably enormous breakdowns, with arena-scale heaviness delivered with total consistency.
Metalcore
Denver group working the heavier end of modern rock since 2017, riff-driven and built for small rooms with loud PAs.
Metal
Twinkly, self-lacerating emo about mental health, sung like it's being confessed rather than performed: catharsis with a Nashville accent.
EmoMidwest-emo
Mid-2000s screamo whose most famous alumnus left to become a dubstep producer, with 'Dear Diary' drama that still hits the scene's pleasure centers.
Post-hardcoreScreamo
Rock

Punk
Alabama metalcore turned mean, with melodic roots swapped for something nu-metal-adjacent, and the heaviness pays for the trade.
HardcoreMetalcore
Post-hardcore's great withholders, with Daryl Palumbo's serrated delivery over grooves that lurch sideways, and records doled out a decade apart.
Post-hardcore
Boston hardcore named for the city's 617 area code and fronted by Austin Sparkman, carrying the local pit-first tradition from a 2024 debut on DAZE to a 2026 album on Roadrunner.
Hardcore
Rock
Nashville pop-rock with one enormous 2011 single and a reunion that leaned back into the guitars. 'Tonight Tonight' is still pure sugar.
Pop-rock
Manchester co-fronted pop-punk with a sneer inherited directly from Britpop, featuring dual vocals, big choruses, and bigger attitude.
Pop-punkAlt-rock
Midwest emo's chaotic favorites bring screamed choruses, absurd song titles, real feelings, and a crowd that knows every word including the yelps.
EmoPop-punk
Melodic emo-rap that crossed fully into pop-rock without much fuss about the line, with chart ubiquity and a scene kid's heart.
Emo-rapAlt-pop
The Faygo flies at sundown: whoop whoop, and genuinely one of music's strangest, most loyal communities gathered in one place.
HorrorcoreRap-rock
The emo band that became a permanent radio fixture, with enormous choruses delivered with total earnestness, decade after decade without a dip.
EmoAlt-rock
Southern California's most efficient punk band has two-minute songs, enormous hooks, and sets that are over before you've settled in.
PunkEmoPower pop
American band that came up in the mid-2000s pop-punk circuit, splitting the difference between screamed catharsis and big power-pop hooks.
Rock
Toronto artist who moved from rap features into full pop-punk, and sounds more at home there, with emo-rap roots showing through the power chords.
Pop-punkEmo-rap
Post-punk-inflected alt-rock with a genuine 2005 dance-punk streak, and much heavier live than on record, with new-core energy and real nostalgic craft.
Alternative rockPop punk

Country
NYHC royalty: Freddy Cricien's bark over the crossover riffing that defined the Lower East Side sound, with hardcore lineage in the literal family sense.
Hardcore
Rock
Rock
Moog-powered anxiety anthems, where 'Commit This to Memory' remains scripture and 'Everything Is Alright' remains a group confession.
Pop-punkEmo
Pacific Northwest pop-punk lifers who are fast, bright, and unbothered by three decades passing, with 'Chick Magnet' still a set-list law.
Pop-punkSkate-punk
The pop-punk band other pop-punk bands cite, with three decades of unreasonably durable hooks and a work ethic to match.
Pop-punk
Long Island heavy hardcore with a lineage running straight back to the NYHC canon: new-school stomp, old-school allegiance.
HardcoreBeatdown
Best known for a theme song, which buries a genuinely sharp power-pop catalogue. 'California' opens the door, the rest keeps you.
Indie-rockPower-pop
Third-wave ska's most reliable good time, with horns, self-deprecation, and a set list that knows exactly what it is. 'Sell Out' forever.
Ska-punk
Alternative
American band folding djent-weight riffing and electronic textures into hazy shoegaze, with alt-metal heaviness under the blur.
Alternative
Keyboard-led post-hardcore with a genuinely gorgeous streak under the screaming, bringing scene-era drama back from the vault.
Post-hardcoreEmo
Theatrical pop-rock with orchestral flourishes and a frontman who can genuinely belt, bringing Broadway instincts at Warped velocity.
Pop-rockPop-punk
Gang-vocal pop-punk with hardcore bones, with two singers, no wasted time, 'Mutiny!'-era energy preserved intact, and posi-hardcore joy undimmed.
Pop-punkMelodic-hardcore

Alternative
Australian pop-punk gone hyper, with glitchy production and hooks sharpened to a point, genre rules cheerfully ignored.
Pop-punkAlt-pop
Pop punk
Long Island emo royalty: mic-swinging catharsis, twenty-plus years deep, 'MakeDamnSure' still a communal throat-shred, and yes, the mic still swings.
EmoPost-hardcore
Australian four-piece playing scrappy, funny, hook-heavy rock with a real live spark. Canberra mates with festival-sized charm.
Indie-rockPunk
DC duo making a genuinely enormous racket for two people: fuzz, sludge, and swagger in the Death From Above tradition.
Garage-punkNoise-rock
Vegas pop-rock from the Decaydance orbit, built around Alexander DeLeon's soul-leaning voice. 'Symphony Soldier' loyalists, report in.
Pop-rockEmo-pop
Huntington Beach beach-rap that never pretends to be anything heavier: acoustic reggae bounce, sunburnt hooks, and a live set built for the last hour of daylight.
Reggae-rockHip-hop
Jersey emo with a soft-focus streak, the band that once released a triple concept album and meant it, with sincerity as a career-long dare.
EmoIndie-rock
Atlanta pop-punk band with an early 2000s sound, whose single 'Get the Message' reached number one on Billboard's Alternative Airplay chart.
Pop/rock
Early-2000s pop-punk with more craft than the era gave it credit for, and 'The Best of Me' is aging like a yearbook photo you actually like.
Pop-punkEmo
Bert McCracken's scream-to-croon whiplash defined a corner of early-2000s post-hardcore and still detonates live, and the chaos has aged into craft.
Post-hardcoreEmo
Post-hardcore's elder statesmen, heavy, literate, endlessly evolving, and never once coasting on the back catalog.
Post-hardcoreAlt-rock
Texas deathcore with a groove streak and a fondness for naming records after films, with San Antonio swagger at full weight.
DeathcoreMetalcore
Auckland artist welding big pop choruses to heavy metal riffs, with a dark, theatrical edge she frames as her own 'darkcore' sound.
Metal
Pop
Los Angeles musical-comedy trio built for the short-video era, with close three-part harmony deployed in service of deeply stupid premises, sung completely straight.
Comedy
311, Alexisonfire, Allison, Anthony Green & The Boom Done Band, Arm's Length, Atmosphere + 65 more
3OH!3, All That Remains, Bayside, Beauty School Dropout, Ben Quad, Big Ass Truck I.E. + 64 more
November 14–15, 2026: Saturday and Sunday.
The Camping World Stadium campus in Orlando, Florida.
Nobody. Warped publishes a flat alphabetical bill with no headliners, and we've kept it that way here.
141 bands across two days, split by day below.
With a bill this size that's the whole problem. Type a few bands you already love into the search at the top of this page and you'll get ranked matches, with reasons.
Clear bags up to 12 by 6 by 12 inches, one-gallon clear freezer bags, or any small bag 6 by 9 inches or under. Empty hydration packs are fine, and every bag is searched at the gate.
Saturday, November 14: 311, Alexisonfire, Allison, Anthony Green & The Boom Done Band, Arm's Length, Atmosphere, plus 65 more acts.
Sunday, November 15: 3OH!3, All That Remains, Bayside, Beauty School Dropout, Ben Quad, Big Ass Truck I.E., plus 64 more acts.
Venue hours are Saturday 12pm to 11pm and Sunday 11am to 10pm.
All ages. 21+ with a valid photo ID for alcohol, and the official shuttles are 18+ only.
The festival's own map is at https://static.wixstatic.com/media/3f3fbe_23ef597e8a9b416392a557051e00ed34~mv2.png.
Not yet. The lineup is split by day below, and set times are still to come. The alert on this page emails you when they're out.
Not announced yet. This page carries Warped Tour Orlando 2026 and will carry the 2027 edition as soon as the festival announces it.
Going to Warped Tour Orlando 2026? Get tickets
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