Arcángel
Puerto Rican reggaeton veteran since the mid-2000s, melodic dembow and trap on albums like Sr. Santos, a link between the genre's first wave and its newest one.
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Puerto Rican reggaeton veteran since the mid-2000s, melodic dembow and trap on albums like Sr. Santos, a link between the genre's first wave and its newest one.
Huntington Beach metal titans — prog ambition welded to arena hooks, from 'Bat Country' to Life Is But a Dream.
Pop's reigning vanguardist — the brat era's architect bringing club-pop chaos to the main stage, a decade of underground experiments finally cashing out at scale.
The producer who welded French house to American pop radio and never really stopped — a career built on the festival-sized chorus.
Argentine rap's teenage prodigy, folk-inflected and unusually literate for the trap generation.
Venezuelan band mixing reggae, funk and Caribbean grooves into what they call trippy pop, sunny and loose-limbed with a sly sense of humour.
Moody, reverb-soaked alt-pop from a Manhattan teenager who went from bedroom demos to festival bills — heartbreak at streaming scale.
Monochrome California moodiness — 'Sweater Weather' and a decade of slow-burn alt-pop, reunited for a generation that streamed them into legend.
Firestarters, still — the UK's rave-punk institution hits harder than bands half their age, three decades of menace intact.
Houston rapper and producer behind Astroworld, building murky, psychedelic trap from Auto-Tuned hooks and cavernous bass. Live shows run on sheer crowd chaos.
Belgium's techno figurehead — relentless, hypnotic peak-time sets that carried her from Antwerp warehouses to the genre's biggest global stages.
Dublin's poet-punks grown into arena-scale alt-rock — 'Romance' made them era-defining, swagger and melancholy in equal Irish measure.
Houston trio built on Laura Lee's bass and Mark Speer's reverb-soaked guitar, mostly instrumental, drawing on Thai funk, dub and surf records.
Funk-flecked Gen-Z bedroom pop — 'Chest Pain (I Love)' and a fast-rising live rep, Steve Lacy instincts with his own snap.
DJ Daddy Trance himself — Berlin's cheekiest revivalist making trance cool again, hands-up euphoria played fully sincere.
Motorik heartland rock — Springsteen refracted through a synth haze, transcendent live, 'Under the Pressure' as the long exhale.
Slovak pop singer with a club producer's sense of drama, writing hooks that sound built for a strobe.
Pamplona singer-songwriter who won Operación Triunfo 2017 and has since made airy indie pop on albums such as Cuando No Sé Quién Soy.
São Paulo techno DJ now based in Berlin, a Mamba Negra resident turned Berghain regular known for long closing sets of acid, electro and house.
Masked Saguenay duo who loop double-necked microtonal guitar into hypnotic, odd-metred math rock — 2026's strangest breakout story.
Colombian pop singer and producer raised in Tuluá, a Latin Grammy Best New Artist nominee in 2025 for her debut EP Primer Intento.
Thessaloniki techno DJ and producer drawing on Detroit and 1990s loops, with records on Hardgroove and Soma and a label of her own, Blind Harmonies.
Santiago electro-pop band whose 2011 debut made Maestro Distorsión and Ciervos indie anthems, back with the original four after a decade away.
Masked Mexico City instrumental post-rock band, active since 2001, building slow crescendos from clean guitar lines, strings and glockenspiel.
Bogotá DJ and filmmaker María Sotelo, a GRV DVSN resident playing fast Latin club and techno at the city's parties and lately in Brooklyn.
Belfast duo Matt McBriar and Andy Ferguson, whose rave-nostalgic breakbeats and choral synth swells play as well to a field as to a club.
Jae Matthews and Augustus Muller making darkwave that feels like a film score for something you shouldn't watch — throbbing synths, whispered menace, fog everywhere.
Alex Ridha's brand of electro is abrasive by design — hardware-driven, distorted, and consistently ahead of whatever is fashionable, two decades running.
Kentucky band that grew from scrappy garage-blues into Grammy-winning rock records, fronted by Matt Shultz's restless, flailing stage presence.
Puerto Rican quartet from Isabela blending plena and Caribbean rhythm with indie pop, heard on Bad Bunny's Weltita and opening his world tour.
Iván Medellín's Bogotá cumbia project, Montes de María accordion over synths and samplers, with a debut album produced by Meridian Brothers' Eblis Álvarez.
Andrea DeGlorian's Bogotá band, self-described melanco-punk rolo mixing indie, psychedelia and electronics on the 2026 debut Todo Se Derrumba.
Marcos Crespo's Madrid bedroom project turned post-punk hit, cold drum machines and a flat baritone over bass lines straight out of 1982.
Austin's instrument-swapping all-women punk-metal wrecking crew — everyone plays everything, and it all lands at full force.
La Plata indie rock institution since 2003, Santiago Motorizado's deadpan baritone over fuzzy, hymn-like guitar songs that made them Argentina's cult band.
Bogotá electropop singer-songwriter, a Premios Nuestra Tierra new-artist nominee in 2025, with the album Solsticio and its Madrid-made single Tattoo.
Medellín pop singer-songwriter of Bulgarian and Colombian parents, viral in 2026 with Va uno a ver y ve and picked to open for Ed Sheeran in Bogotá.
Bogotá shoegaze band going since 2015, dream-pop haze and walls of fuzz on the 2021 debut album Lo Que Extrañas Ya No Existe.
Quito producer Daniel Gachet reworking Ecuadorian bomba and albazo rhythms into UK bass, grime and ambient club music, on the 2024 album Caverna.
Quito garage-punk five-piece fronted by Pixie, short loud songs and a four-track debut EP produced by La Máquina Camaleón's Felipe Lizarzaburu.
Kieran Hebden's glowing folk-tronic universe — patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
Pereira techno producer with twelve-inches on Mord, Planet Rhythm and BPitch Berlin, old-school loops cut with IDM, breaks and noise.
Leicester's swaggering electro-rock survivors — two decades of festival-sized choruses built for exactly this, with Serge Pizzorno running the show out front.
Cartagena singer who calls her sound afropop and therapy, champeta and dancehall out of picó culture, a Premios Nuestra Tierra nominee in 2026.
Bogotá singer Daniela Ramona, blues-rock and soul sung in Spanish with a big raw voice, lately leaning into 1940s jazz and R&B on her Hotel Amor songs.
Singer-songwriter from Yopal leading the neo joropo movement, llanera harp and strings over trap, R&B and reggaeton on songs like Joropo Estileto.
Fort Worth singer who arrived with vintage, Sam Cooke-style soul and has since loosened into warmer modern R&B, plus desert-groove EPs made with Khruangbin.
Bogotá singer and visual artist making kawaii reggaeton and lo-fi bedroom pop, perreo built for small sweaty parties, since the 2023 EP Candyxx World of Luvv.
Spanish pop star and dancer out of Operación Triunfo 2017, hits like Ya No Quiero Ná and La Niña folding reggaeton and flamenco touches into chart pop.
'Messy' made her unavoidable — raw South London soul-pop with a busted-heart snarl and a voice that earns the Winehouse comparisons.
Bogotá band of pop punk, dream pop and noise rock in one fuzzy package, heard on the 2023 album Flores de Ayer.
Bogotá DJ, producer and visual artist Manuela Pineda, Latin club, guaracha and techno, with the Basalto EP alongside Brenda on Love In The Endz.
Mexican outfit, active since 2015, reviving glossy eighties boogie and synth-funk with a strong dancefloor pull.
Andrea Tirone's Italo-disco project — glossy, bass-forward dance-pop with a distinctly Mediterranean streak, engineered for strutting.
Bogotá duo of Julián Salazar (Bomba Estéreo) and percussionist Franklin Tejedor, techno played live over tribal drums rooted in Colombian coastal rhythms.
Ecuadorian producer who fused Andean folk instruments with slow house on Prender el Alma, since ranging into drier, darker club rhythms.
Siberian-born DJ and label head whose sets swerve from acid to raw hardware techno, with her own voice sitting on the records.
Glittering, game-engine electronic — Australia's most inventive young club producer, chiptune sparkle at rave pressure, drops that sparkle as hard as they hit.
Joint set of Bogotá producers 2AT and Nixss, whose HyperTribal EP on MUAKK crossed hyperpop and hard dance with guaracha and 6/8 Andean rhythm.
Cartagena singer from the Nelson Mandela barrio bending afrobeats and amapiano toward the Caribbean coast, on singles like La Derrota and Come y Vete.
Britain's Grammy-and-BRIT-sweeping songwriter freed from label limbo — big-band soul-pop with real stakes, and a live show that earns every award.
The producer most responsible for UK garage's current mainstream moment — bouncy, gleeful, impossible to stand still to, flip after flip after flip.
Venezuelan-born, Bogotá-based singer of Latin R&B and future bass pop with llanera roots showing through, from the 2022 EP Arcanos onward.
Mexicali producer Marco Polo Gutiérrez, a ruidosón pioneer putting footwork and dubstep drums under tropical rhythms, co-founder of the SUBREAL label.
Glitter-and-grit dance-pop — Y2K excess reborn as main-stage camp, played with total commitment to the fantasy.
Lo-fi electroclash duo — distorted synths and detached vocals for the afterparty, Detroit cool for the post-everything generation.
Melbourne sample collagists whose debut Since I Left You stitched thousands of record fragments into one long, sunlit dance-floor dream.
Montreal's arch electroclash survivor — deadpan vocals, filthy synths, and a sense of humor most techno lacks, 'Sunglasses at Night' included.
Pairing of Chemical Brothers producer Tom Rowlands with Norwegian singer AURORA, setting her otherworldly voice against big, rolling electronic production.
Trap singer from Buenaventura on Colombia's Pacific coast, whose Más de Ahí remix with Eladio Carrión and Sech went viral in 2026.
Joint live set from Medellín's Verraco and Montevideo's Lechuga Zafiro, a fast collage of dembow, cumbia-techno, batucada and jungle, premiered at Atonal.
Medellín rapper and beatmaker from the Afterclass collective, hardcore boom-bap with a wry humour, on albums like Medallas de Oro.
Yes, Dave's daughter — and a genuinely arresting voice striking her own path, closer to torch song than stadium rock.
Buenos Aires psych band of fuzz, feedback and long hypnotic jams, shoegaze haze over a motorik pulse, out of the city's underground.
Santiago rapper and singer working the softer end of Chilean trap, with melodic hooks carried on a heavily accented local slang.
Chilean-born, Colombia-raised singer on Unicornio Records, soft urbano and indie pop songs about feelings, who opened for Morat at El Campín in 2024.
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