Los Lobos
East LA's finest, four decades of Mexican folk, blues, soul and garage rock played by the same five men.
Three free days in Golden Gate Park: six stages of bluegrass, country, folk and soul, endowed in perpetuity by the man who started it.
Name a few bands you love and we'll scout all 71 acts on the Hardly Strictly Bluegrass bill for the ones you shouldn't miss.
Set times are out for Hardly Strictly Bluegrass 2026. Save any act and it lands on your day-by-day plan, with overlapping sets flagged so you can see what you would miss. No account needed to start.
Hardly Strictly Bluegrass has been free since 2001, and it stays free because founder Warren Hellman endowed it before he died. No tickets, no wristbands, no upsell. Three days across six stages at the west end of Golden Gate Park, running October 2–4 in 2026.
The 2026 bill reads roots music broadly. My Morning Jacket, Emmylou Harris, Mavis Staples, Los Lobos, Robert Plant and Gillian Welch & David Rawlings anchor the three days, with Punch Brothers, Old Crow Medicine Show, Rilo Kiley, Steve Earle, Molly Tuttle, Marty Stuart and Hot Tuna behind them. Toward the edges it gets stranger, and better: Yemeni music played on instruments built from scrap by El Khat, Salinas Valley cumbia from ¿Qiensave?, an Iraqi oud recital from Rahim Alhaj, a queer line dancing party, and a storyteller with no band at all.
Expect americana, folk, country and bluegrass across 71 acts.
Search it, filter by day, stage or genre. Save anything straight to your schedule.
East LA's finest, four decades of Mexican folk, blues, soul and garage rock played by the same five men.
Jim James's reverb-drenched howl over southern rock that keeps drifting into something cosmic and unhurried — jam-scene trust earned two hours at a time.
Gospel and freedom song royalty out of Chicago, and still the most reassuring voice in American music.
Two voices and two guitars, writing songs that sound a hundred years old and were finished last year.
Jenny Lewis's early-2000s indie band — sharp, sardonic songwriting that a whole generation grew up inside, 'Portions for Foxes' still perfect.
Five string players treating bluegrass instrumentation as a chamber ensemble, led by the most restless mandolinist alive.
Led Zeppelin's singer in his rootsy later life, trading the stadium howl for hushed folk, blues and gospel reworkings with a small acoustic band.
The voice that carried Gram Parsons's idea of country music into every decade since, and the finest curator of other people's songs.
A mandolin virtuoso since childhood, now writing songs that justify the technique — bluegrass pedigree stretched into something personal.
Nashville's great shaggy storyteller, half standup comic, whose between song rambles sometimes outlast the songs.
Country music's great custodian, rhinestones and a Telecaster, fronting one of the sharpest bands anyone has put on a stage.
Two-time IBMA guitar player of the year — flatpicking virtuosity fronting new-school bluegrass.
Willie's son with a weathered tenor of his own, writing country rock that earns the Neil Young comparisons on guitar.
The Ottawa songwriter who quit music to run a coffee shop and came back sharper, plainspoken about the wreckage.
Nashville songwriter with a glam streak and a Grammy nomination for American Roots Song; power-pop hooks and dry, self-aware lyrics dressed up in East Nashville sequins.
A banjo player who arrived by way of jazz and a finance career, running a record label by day and rewriting what five strings do by night.
Jorma Kaukonen and Jack Casady playing the country blues they were playing before Jefferson Airplane, and kept playing after.
Nashville's most requested sideman and producer, with a cracked voice and a guitar tone nobody has managed to copy.
Three chords and a hard opinion, the Texas songwriter who outlived his own legend and kept writing through it.
'Wagon Wheel' originators and old-time revivalists — a string band that plays with punk-rock urgency.
A North Carolina songwriter with a soul singer's phrasing, writing about staying put and about leaving.
Two instrumental guitarists meeting in the middle, one tapping a lap-held harp guitar and the other bending Nashville drone.
The internet's protest-folk bard — a new topical song every week, Dylan-grade wit aimed at whatever the news cycle just did.
Lubbock's Flatlanders and guests saluting Joe Ely, the West Texas songbook played by the people who wrote it.
A Los Angeles trio playing stripped blues rock on borrowed gear, built for rooms with low ceilings.
MC Taylor's North Carolina band, gospel-shaped folk rock about faith, doubt and getting through the week.
A husband and wife duo out of Woodstock, Dylan's old bandleader and a singer who can hold a room with one line.
A songwriter's songwriter with a fiddle, whose cuts pay other people's mortgages all over Nashville.
Big-hearted showman-rock — a bar-band Springsteen for the group chat era, played with total sincerity, showmanship as its own kind of honesty.
San Francisco string band digging beneath bluegrass into old-time, banjos tuned low and the arrangements left haunted.
Idaho brothers who became an Austin institution, red dirt country with rock guitars and no Nashville gloss.
Two Canadians harmonizing in close, sour intervals, folk songs that sound dug up rather than written.
Small, plainspoken folk songs sung beside her husband Mark Stuart, quieter by choice than the family name suggests.
Four New York songwriters who each front their own band, swapping lead vocals and refusing to take any of it seriously.
A duo pairing the Wood & Wire frontman with the Greencards mandolinist, two Texas-connected pickers trading songs in a stripped-back acoustic setting.
A California bluegrass institution, fiddle and a high clear voice, who taught half the Bay Area's pickers along the way.
A Bay Area jam band assembled from veterans of the psychedelic era, with its own poster art tradition attached.
A Montana songwriter and a Portland guitarist, spare old-time songs about land, weather and staying put.
New Orleans five piece trading lead vocals around, country and soul and swamp pop rubbed together until they blur.
Brooklyn trio that met busking in the subway: cello, guitar, accordion and found percussion under three-part harmonies, with an NPR Tiny Desk Contest nod for Love in the Underground.
Avery Hellman writing hushed, searching folk on a Sonoma County ranch, songs that circle rather than resolve.
A honky-tonk voice out of rural Florida and a wit sharpened on satellite radio, equally at home telling the joke or singing the hurt.
California bluegrass around a mandolinist who has been winning contests since childhood — tight harmony, West Coast looseness.

A Portland folk singer whose live records are half songs and half standup, and the crowd is in on all of it.

Ron Thomason's long-running traditional outfit, mountain gospel and old-time bluegrass delivered around a comic monologue.
The voice of Houston's The Suffers, Gulf Coast soul with a horn section at her back.
An Australian voice like a storm front, singing folk rock that sits closer to theatre than to comfort.
Yemeni music rebuilt on instruments made from scrap metal and junk, played loud and deliberately unsteady.
A folk singer with no off switch, co-writer of 'You Were Meant for Me' and a set that never runs the same way twice.
A Seattle songwriter with a low, unhurried baritone and songs that take their time getting anywhere.
A Black country singer Nashville turned away twice, back on her own terms and working out of the Bay Area.
Jon Langford and Sally Timms of The Mekons in a songwriters' round, English punk instincts applied to country music.
Salinas Valley cumbia from brothers raised around the fields, Spanish language dance music with a California accent.
A Nashville songwriter with a shelf of other people's hits, leading a string band back through his own catalog.
A Central Valley cowboy with a four string tenor guitar, telling long stories about small towns.
Slide guitar and clawhammer banjo from a songwriter raised between Italy and France, now working out of Nashville.
An Iraqi oud master exiled to New Mexico, composing pieces that carry the news from home.
A Frenchman writing countrypolitan songs in English, pedal steel and all, and getting away with it completely.
Dave Alvin's improvising psych outfit, taking sixties folk rock apart in the studio with the tape left running.
Los Lobos, My Morning Jacket, Lukas Nelson, Marty Stuart and His Fabulous Superlatives, Molly Tuttle, Sierra Hull + 11 more
Gillian Welch & David Rawlings, Mavis Staples, Rilo Kiley, Aaron Lee Tasjan, Alison Brown, Buddy Miller + 22 more
Emmylou Harris, Punch Brothers, Robert Plant, A Tribute to Joe Ely with The Flatlanders and Friends, Hiss Golden Messenger, Jesse Welles + 20 more
October 2–4, 2026 (Friday through Sunday).
Nothing. It has been free to the public since 2001, endowed by founder Warren Hellman so that it stays that way.
At the west end of Golden Gate Park in San Francisco, across six stages spread through Hellman Hollow, Marx Meadow and Lindley Meadow.
Not officially. The festival prints its lineup alphabetically within each day and bills nobody above anyone else. The largest draws in 2026 are My Morning Jacket, Emmylou Harris, Mavis Staples, Robert Plant, Los Lobos and Gillian Welch & David Rawlings.
Yes. The festival posted the full schedule on September 22, 2026: 71 sets across six stages, each with a start and end time, and every one is on this page. Alison Krauss withdrew the same week; Rilo Kiley took her Saturday slot.
71 across the three days.
Type a few artists you love into the finder at the top of this page. It matches them against this lineup and explains each pick.
Friday, October 2: Los Lobos, My Morning Jacket, Lukas Nelson, Marty Stuart and His Fabulous Superlatives, Molly Tuttle, Sierra Hull, plus 11 more acts.
Saturday, October 3: Gillian Welch & David Rawlings, Mavis Staples, Rilo Kiley, Aaron Lee Tasjan, Alison Brown, Buddy Miller, plus 22 more acts.
Sunday, October 4: Emmylou Harris, Punch Brothers, Robert Plant, A Tribute to Joe Ely with The Flatlanders and Friends, Hiss Golden Messenger, Jesse Welles, plus 20 more acts.
Going to Hardly Strictly Bluegrass 2026? Get tickets ↗
Festivals in October 2026 →Music festivals in California →More Folk and Americana festivals →More Country festivals →More Bluegrass festivals →Full festival calendar →