Manchester's self-aware pop provocateurs, with 80s gloss, terminally online lyrics, and a frontman who treats every show like performance art.
PopAlt-rock
Five nights at Worthy Farm, over 100 stages and more than 4,000 performances, returning after the 2026 fallow year. Lineup TBA.
The 2027 lineup hasn't dropped yet. Below is the full 2025 bill to explore in the meantime.
Name a few bands you love and we'll scout all 113 acts on the Glastonbury bill for the ones you shouldn't miss.
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Glastonbury 2025 was Worthy Farm's last dance before the fallow year: five June days in Somerset with The 1975, Neil Young and Olivia Rodrigo headlining the Pyramid Stage on Friday, Saturday and Sunday, and Rod Stewart taking the Sunday-afternoon legends slot.
As ever, the top of the Pyramid was maybe a third of the story. Pulp's surprise return and Lorde's unannounced Woodsies set were the weekend's worst-kept secrets; Charli XCX brought the brat era to the Other Stage and The Prodigy closed it; Doechii and Overmono held down West Holts; and the undercard ran from Turnstile and Wolf Alice to Burning Spear, Kae Tempest and En Vogue. A hundred stages' worth of everything, of which the 113 acts here are the spine.
There is no Glastonbury in 2026 (the farm rests on its scheduled fallow year), which makes this bill the freshest record of what the festival is until 2027.
Expect alternative, pop, rock and alt-rock across 113 acts.
Search it, filter by day, stage or genre.
Manchester's self-aware pop provocateurs, with 80s gloss, terminally online lyrics, and a frontman who treats every show like performance art.
PopAlt-rock
The godfather of grunge, unbowed, with ragged glory guitar and a songbook that spans half a century of American unease.
RockFolk
Gen-Z's laureate of the breakup, whose SOUR bedroom confessionals grew into GUTS pop-punk stadium catharsis.
PopPop-punk
Rock
Kieran Hebden's glowing folk-tronic universe: patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
Electronic
Confessional South London hip-hop that's jazz-warm, tender, and quietly huge, with verses about family and flaws delivered like conversation.
UK hip-hop
Warm, live-instrument house that leans soul rather than club, the kind of set that works equally well at golden hour and at three in the morning.
ElectronicDowntempo
Dan Snaith's dancefloor-facing project, mathematician's precision applied to warm, looping house built from chopped vocals and live drums.
Electronic
Pop's reigning vanguardist and the brat era's architect, bringing club-pop chaos to the main stage as a decade of underground experiments finally cashes out at scale.
PopHyperpop
Switches cadence mid-bar like she's changing characters, and the result is theatrical, technically ferocious rap that never sits still long enough to be filed.
Hip-hopAlt-R&B
New York glam-disco troupe fronted by Jake Shears and Ana Matronic, whose falsetto hooks and cabaret theatrics turned 'I Don't Feel Like Dancin'' into a global staple.
Pop
Walsall's great modern soul voice, restrained, jazz-schooled, and equally at home over a garage beat, with 'Blue Lights' still stunning.
R&BSoul
Welsh brothers making the decade's defining UK bass, with tender vocals over hard breaks and 'So U Kno' still a shared euphoria.
UK bassBreaks
Six decades of gravel and swagger, from the Faces to the Great American Songbook, still rock's raspiest showman.
Classic-rockPop
Reunited South London five-piece whose thirteen-year run moved from nervy, chiming guitar songs to something far grander and more communal.
Alternative
Firestarters, still. The UK's rave-punk institution hits harder than bands half their age, three decades of menace intact.
Rave-punkElectronic
Jagged Little Pill at festival scale: the '90s' most cathartic songbook, still sung full-throated by everyone in the field.
Pop
Amy Taylor might be the best frontperson alive right now. Aussie pub-punk voltage, all sprint and snarl, from a band that treats every stage like a title fight.
PunkPub-rock
Fuzzy '90s-leaning indie-pop grown into lush, easy songcraft, going from bedroom demos to Rick Rubin sessions without losing the diary-page intimacy.
Indie pop90s alt
Scotland's shirtless festival warriors, with knotty math-rock instincts wired to enormous singalong choruses.
Alt-rock
Americana's reigning voice, with eleven Grammys of thunder and grace and a catalog that moves from whisper to belt like weather changing.
AmericanaRock
Roots reggae's living conscience, delivering Marcus Garvey hymns with unshakeable calm.
Reggae
Three decades of the fastest, most physically committed delivery in rap, and none of it has slowed down, with a hits catalog that turns any field into a block party.
Hip hopEast coast hip hop
Smoke-voiced British soul with torch songs of modern nerve, a BRIT-anointed voice built for the spotlight and the string section.
Soul
Irish country-pop with a wicked sense of humor and a bigger voice, and a riotous live show that swings from comedy to gut-punch inside one chorus.
Alt-country-pop
London jazz as a party rather than a seminar, with Afrobeat and dancehall pulling the horns along, and a drummer who conducts the room from behind the kit.
JazzAfrobeat
Glasgow's art-school dance-punks, where 'Take Me Out' still detonates a field two decades on and the deep cuts still make people dance.
Dance-punkIndie rock
Diaristic songwriting that moved from hushed bedroom recordings to full-band arrangements without losing the whispered intimacy at its core.
Pop
Dublin four-piece trading in big-reverb guitar hooks and baritone vocals, closer to eighties post-punk radio than the Britpop revival they get filed with.
Alternative
The voice of Creedence, with swamp-rock standards that never left the radio, sung by the man who wrote them.
Classic-rockRoots rock
South London songwriter of Bangladeshi-Irish heritage whose debut 'Skin' set sharp, sometimes uncomfortable self-portraits against lush retro-soul arrangements.
Pop
'I Predict a Riot' still starts one, and these Leeds lads keep mid-2000s indie's terrace-chant energy alive.
Indie-rock
Scotland's self-deprecating balladeer, who fills arenas with heartbreak delivered between stand-up-quality banter.
Pop
Tyneside songwriter with a deep, dry contralto and a sharp political eye, working post-punk textures into art-rock, and the Mercury-nominated 'Holiday Destination' made the case.
Alternative
The most sampled guitar in history, from 'Good Times' to 'Get Lucky', a nonstop masterclass in why disco never died.
DiscoFunk
New England folk-pop about small towns and staying put, delivered with the kind of full-throated chorus that turns an amphitheatre into a choir.
Folk popIndie folk
Jarvis Cocker's common people, still uncommon. Britpop's sharpest wit in glorious late-era form, 'Common People' still detonating class rage.
Britpop
Britain's Grammy-and-BRIT-sweeping songwriter freed from label limbo, with big-band soul-pop that has real stakes and a live show that earns every award.
Pop-soulR&B
Brighton duo of Jordan Stephens and Harley Alexander-Sule, whose brass-happy, wisecracking pop-rap was inescapable on UK radio in the early 2010s.
Hip-hop
'A Bar Song (Tipsy)' made him the crossover story of the decade, with country hooks over hip-hop bones.
CountryHip-hop
Grime's global ambassador, with Konnichiwa-era bars and a DJ's instincts, London energy at any scale, and 'Shutdown' still a detonation.
Grime
Gary Lightbody's band, together since the mid-nineties and long past needing to prove the big chorus, with slow-build alt-rock that became a stadium language.
Alternative
Britpop's cheekiest survivors, with 'Alright' forever young and the catalog sneakily one of the era's best.
Britpop
Albion's prodigal poets, where Doherty and Barât are still shambolic, still romantic, still the best bad idea British rock ever had.
Indie-rock
Dublin's arena-pop reliables, with 'Breakeven' and a decade of radio-rock comfort food.
Pop-rock
2 Tone originals, with Pauline Black fronting ska's sharpest political dance party since 1979.
Ska
Hardcore's joyful crossover kings, with dreamy interludes, stage dives, total communion, and a crowd that moves as one.
HardcoreAlt-rock
Rivers Cuomo's long-running power-pop institution, still balancing crunching guitars against sweetly miserable melodies, with three decades of hooks and sweaters.
Alternative
Deadpan, hook-loaded post-punk: the Isle of Wight duo grown into a full-blast rock band, with 'Chaise Longue' just the opening joke.
Post-punkIndie rock
Mercury-winning UK alt-rock: from whispered folk to full-throated fuzz in one set, with Ellie Rowsell commanding every register.
Alt-rock
Barking's electric troubadour, welding trade-union politics to love songs since the early eighties, with a solo voice, a loud guitar and no interest in separating the two.
Alternative

Pop
Protest-minded alt-rock with trap production underneath: agitprop you can actually move to, delivered with genuine live-wire intensity.
Alt-rockElectronic-rock
West London grime star gone festival-sized, with melodic flexes, 'Ladbroke Grove' garage bounce, and a UK-rap versatility that moves between road and radio without strain.
GrimeUK rap
Brixton outfit splicing acid house with country, gospel and blues into their own self-styled hybrid, and the band behind the song that opens every episode of The Sopranos.
Alternative
Righteous Babe founder who built a career on her own label rather than anyone else's terms, with percussive open-tuned guitar and unsparing political folk.
Singer/songwriter
Northern Irish power-pop with an absurd hit rate in the late 90s and no interest in slowing the tempo since.
Alternative rockPower pop

Jazz
British folk-rock project that has gradually traded banjos for warm, expansive synth textures, with hushed harmonies and slow-building emotional payoffs.
Alternative
The voice of Portishead, whose solo work leaves trip-hop behind for stark folk and orchestral arrangement, and one of British music's most singular singers.
Pop
Hushed English folk with a river-water voice. Quietly one of the best writers of her generation, she turns small domestic details into devastating songs.
FolkIndie folk
Seven-piece from the Cambridgeshire scene turning klezmer-tinged chamber arrangements into something cathartic, now built around shared, passed-around vocals.
Alternative
Jamaican roots harmony group active since the early seventies, whose militant vocal trio format and heavy dub foundation shaped reggae's international breakthrough.
Reggae
Stockport five-piece who turned synth-lined indie-pop into a run of UK number-one albums. Melodic, unhurried, and impossible to leave a field before.
Alternative
British two-piece welding punk guitar to grime cadence, with drums and vocals and nothing spare, and blunt writing on race, class and Britain, delivered at volume.
Punk

R&B/soul
Carol City rapper with a voice built for volume, swerving between hardcore aggression and genuine introspection while reshaping his sound album to album.
Hip-hop
Multi-instrumentalist and film composer working in dark, texture-heavy electronic rock, a songwriter with an unavoidable surname and his own set of ideas.
Alternative

R&B/soul
Leeds art-rock that won the Mercury Prize with its debut, with wry, literate songs that change shape mid-verse.
Alternative
Josh Tillman's lounge-lizard prophet act, with gorgeous orchestration, acid wit, and a crooner's delivery that sells every barbed line.
Indie folkChamber pop
Pedal steel and yacht-rock chords under deadpan songwriting about being slightly bored and very sad. Atlanta cool that turned ennui into a signature sound.
Indie-folkAlt-country
Neuroscientist-turned-producer moving between orchestral ambient and genuinely propulsive dance floors, equally at home with Pharoah Sanders and a peak-time rave.
ElectronicJazz-house
Baltimore band whose new-wave synths and rubbery bass lines exist mainly as a frame for Samuel T. Herring's croon-to-growl delivery and famously unrestrained physical presence.
Alternative
The man who made synthesisers sound alien, then spent his second act making them sound industrial: 'Cars' to Nine Inch Nails gravity, one career.
Synth-popIndustrial

Alternative

Jazz
Masked Swedish collective fusing fuzzed-out psych, Afrobeat rhythm and ritual costume, with anonymity held firm across a decade of records.
Alternative
South London singer Aria Wells, whose smoke-hazed take on soul leans on dub weight and a voice that slides around the beat rather than sitting on it.
Alternative
Three sisters from Los Angeles whose soft-rock harmonies sit on top of unusually muscular rhythm playing, in a band where everyone swaps instruments and nobody coasts.
Alternative

Alternative
Dublin band who have carried gospel-soul fervour and trad Irish undertow through rock since the mid-eighties, with Liam Ó Maonlaí singing like the room depends on it.
Rock
Little Mix's Jade gone gloriously weird, where 'Angel of My Dreams' announced a real pop auteur, camp and chaos with A-list polish.
Pop
British songwriter with a snarl in her voice and a foot in Americana, whose folk-rooted songs are delivered loud enough to work with a full band behind them.
Alternative
London poet, playwright and novelist who raps as an extension of the page, with dense narrative verse delivered with the cadence of spoken word rather than bars.
Hip-hop
Belfast's bilingual rap provocateurs, with republican mischief, mosh-pit energy, real bars, and a film's worth of mythology already.
Irish rap
'Messy' made her unavoidable, with raw South London soul-pop, a busted-heart snarl and a voice that earns the Winehouse comparisons.
Alt-popSoul
The NZ art-pop auteur is brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Art-popAlt-pop
English songwriter and producer behind much of the late-'70s power-pop and new-wave canon, with sharp melodic craft delivered with a straight face and a dry joke underneath.
Rock
London singer-guitarist pairing wiry, jazz-inflected guitar lines with a low, cool voice. Albums like 'Painless' and 'My Method Actor' fold indie rock into moody, textured pop.
Alternative
London duo running bass through every pedal ever made, with grime swagger welded to punk riffs. A two-woman wall of sound.
PunkAlt-rock
Irish songwriter who built an audience online long before the debut album arrived, with sharp, guitar-forward indie pop and an unguarded streak.
Indie pop
John Dwyer's endlessly renamed, endlessly prolific garage-psych machine records at a pace nobody can keep up with and plays a live show that runs hotter than any of them.
Rock
Daft Punk-approved Aussie disco with immaculate grooves, live-band tightness, five-part harmonies over four-on-the-floor, played tight enough to pass a studio audit.
Disco-funkPop
Two-minute drum'n'bass-pop confections from the internet's most influential songwriter-per-second, nostalgia sampled into something brand new, hooks gone before you can replay them.
UK-garageBedroom-pop
British indie-pop with a sharp lyrical edge: bright arrangements carrying much darker subject matter, Croydon storytelling on the rise.
Indie popAlternative
Grammy- and Pulitzer-winning banjo and fiddle scholar who traces old-time music back to its Black roots and plays it like news, not history.
Singer/songwriter

Pop
Rebecca Lucy Taylor's solo turn after Slow Club: big-chorus, choir-backed alt-pop about womanhood, staged with deliberately theatrical choreography.
Alternative

Rock
Annie Clark's project, guitar playing that lurches and stutters through art-rock built on tightly drilled arrangements. Every record arrives with a new persona attached.
Alternative
Bradford quartet who turned scruffy Yorkshire riffs into genuine chart pop with 'Tequila' and 'Perseverance': decades of daft, durable rock with the choruses intact.
Rock
London four-piece led by Juliette Jackson, pairing warm group harmonies with guitar pop that turns wry and observational up close.
Alternative

Rock
Glasgow trio whose mid-2000s indie boom hits still function as mass singalongs, with 'Chelsea Dagger' as unavoidable terrace anthem, plus two decades of albums since.
Rock
Two sets of siblings from West London whose harmony-drenched indie pop broke through in the mid-2000s and has quietly carried on ever since.
Rock
Merseybeat originals whose chiming twelve-string sound shaped a generation of jangle-pop, touring almost continuously until the end.
Pop
Piano ballads sung at full throat: one enormous heartbreak single and a catalogue that keeps getting starker, braver by the record.
Singer-songwriterPop
Scottish-born, Manchester-raised singer with a gravel-edged voice and choruses sized for big rooms, and 'Leave a Light On' turned him into a UK radio fixture.
Singer/songwriter
Brooklyn art-rock institution built on Tunde Adebimpe's tremulous falsetto and dense, horn-flecked production, making anxious dance music for the end of something.
Alternative
Malian guitarist and son of Ali Farka Touré, carrying the desert-blues lineage into faster, more electric territory of his own making.
Worldwide
Raw-nerve UK rock, with Cobain-worn songwriting building a serious cult, intensity that reads as truth, a band critics keep underestimating upward.
Indie-rockAlt-rock
London drummer whose fluid, hard-swinging kit work made Yussef Kamaal a landmark before he stepped out alone, playing jazz shaped by sound-system weight.
Jazz
English Teacher · Mercury-fresh Leeds art-rock: the smart money's favourite new band.The 1975 headlined the Pyramid Stage on Friday, Neil Young on Saturday and Olivia Rodrigo on Sunday, with Rod Stewart in the Sunday-afternoon legends slot.
June 25–29, 2025. Gates opened Wednesday, with the main stages running Friday through Sunday.
No. 2026 is a scheduled fallow year to let Worthy Farm and the village rest. The festival is due back in 2027.
Worthy Farm in Pilton, Somerset, England: a temporary city of a hundred-plus stages and areas.
Thousands of performances happen across the farm; LineupScout tracks 113 acts from the main stages: Pyramid, Other, West Holts, Woodsies, Park, Acoustic, Avalon and Left Field.
Type a few artists you love into the finder at the top of this page. It matches them against this lineup and explains each pick.
Not yet. The 2027 lineup goes up on this page as soon as the festival announces it.
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