Genre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki.
Osheaga 2027 Lineup
Montreal's biggest weekend: three days of island stages on Parc Jean-Drapeau with the skyline across the Saint Lawrence. Lineup TBA.
The 2027 lineup hasn't dropped yet — below is the full 2026 bill to explore in the meantime.
Find the acts you'll love at Osheaga
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About Osheaga 2026
Osheaga is Canada's biggest festival weekend and still one of the best-situated on earth: three days on Parc Jean-Drapeau's island stages, with the Saint Lawrence on every side and Montreal's skyline across the water. The 2026 edition (the festival's 19th) runs 90 acts deep, with Twenty One Pilots, Tate McRae, and Lorde up top and a bill that mirrors the city itself: anglo indie rock and UK post-punk, francophone pop and pan-African club nights, techno tents and Cree folk-pop. Come for the headliners, stay for the metro ride home with ten thousand new friends.
Expect indie rock, hip-hop, house and pop across 90 acts.
Osheaga 2026 lineup & schedule: all 90 acts
Search it, filter by day, stage or genre. Save anything straight to your schedule.Browse all 90 acts →
Search it, filter by day, stage or genre. Save anything straight to your schedule.
Dancer-first pop stardom — precision choreography and inescapable hooks, delivered at full sprint with a dance captain's discipline.
The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Mercury-winning UK alt-rock — from whispered folk to full-throated fuzz in one set, Ellie Rowsell commanding every register.
Deadpan, hook-loaded post-punk — the Isle of Wight duo grown into a full-blast rock band, 'Chaise Longue' just the opening joke.
Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
Monochrome California moodiness — 'Sweater Weather' and a decade of slow-burn alt-pop, reunited for a generation that streamed them into legend.
Canadian duo blurring house music and moody guitar-band songwriting — church-dark grooves played live, splitting the difference between a DJ set and a rock show.
Whispered minimalism that somehow fills a festival field — intimacy at headline scale, 'Intro' still raising arm hair.
Japan's novel-into-song hitmakers — 'Idol' broke every record; the live band goes harder than you'd guess, J-pop precision with rock muscle.
Dreamville's technician — one of rap's most gymnastic voices, devastating live, syllables stacked like a man showing off because he can.
Belgium's techno figurehead — relentless, hypnotic peak-time sets that carried her from Antwerp warehouses to the genre's biggest global stages.
Unhinged Brooklyn art-rock — yelping, swaggering, and critically adored, like the Stones reassembled by art students mid-fever.
Montreal indie rock institution — jittery, anthemic songs from two of Canada's best songwriters, home-field advantage included and audible.
London's elusive trio — murmured vocals and tangled guitars that made Matador come calling, with a mystique maintained by saying almost nothing in public.
Yes, that Finn Wolfhard — scrappy, sincere indie rock beyond the Stranger Things shadow, garage-band instincts played without celebrity gloss.
Masked Saguenay duo who loop double-necked microtonal guitar into hypnotic, odd-metred math rock — 2026's strangest breakout story.
West London grime star gone festival-sized — melodic flexes, 'Ladbroke Grove' garage bounce, and a UK-rap versatility that moves between road and radio without strain.
One of rap's sharpest pens, full stop — orchestral ambition and North London grit, 'Sometimes I Might Be Introvert' the modern benchmark.
Philly folk-rockers grown into amphitheater singalongs — warm, road-tested, communal, with 'Silver Lining' as the nightly high-water mark.
Sweaty, saxophone-wielding Swedish post-punk satire — one of the best live bands on earth right now, 'Sports' shouted by thousands.
Glasgow's art-school dance-punks — 'Take Me Out' still detonates a field two decades on, and the deep cuts still make people dance.
Moody, reverb-soaked alt-pop from a Manhattan teenager who went from bedroom demos to festival bills — heartbreak at streaming scale.
Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
Theatrical Aussie synth-pop royalty — headdresses, spectacle, and 'Walking on a Dream' euphoria, a duo that treats every festival set as full-scale cinematic ritual.
Irish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
Vancouver's TikTok-resurrected art-rockers — quirky harmonies and a huge devoted crowd, a back catalog rediscovered by a generation that made it theirs.
Mythic, incantatory folk-pop — 'Labour' made her the internet's feminist bard, and the deeper catalog keeps the incantation going.
Pusha T and Malice, reunited — coke-rap scripture over pristine beats, one of rap's great comebacks and a masterclass in brotherly chemistry.
Iceland's stomp-and-holler exports — 'Little Talks' and a decade of widescreen indie-pop, hey!-shouts included, Icelandic warmth at singalong scale.
UK dance-pop craftsman — glossy, feel-everything disco-house built for golden hour, collaborator to half of pop's A-list.
Swedish pop machinery at its shiniest — 'Lush Life' to main-character bangers, delivered with total command.
Atlanta's melodic-trap stylist — liquid flows and designer-drip anthems, delivered with barely a raised pulse and total control.
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
Diplo's dancehall-electronic party machine — pure festival serotonin, 'Lean On' and a dozen more global smashes in one set.
Moses Belanger
Montreal's sunniest synth-pop — francophone disco warmth from Jules Henry's beach-party project, SPF-rated grooves, Montreal summer bottled.
Avenoir
Hazy California duo — beachside indie-soul.
American duo folding South Asian melodic and rhythmic material into deep, warm house — club music built from a specific diasporic record collection.
WHATMORE
Raw-nerve UK rock — Cobain-worn songwriting building a serious cult, intensity that reads as truth, a band critics keep underestimating upward.
South London genre-blur — drill, indie, and R&B folded into diaristic collage, homemade and heartsore in equal measure.
Moody melodic electronic with live-instrument warmth — Vancouver atmosphere in the ODESZA lineage, drops that glow rather than strike.
Globe-trotting soul-pop — a rich, agile voice over self-produced grooves, folding the percussion and texture of everywhere she's lived into modern R&B.
Berlam
Hushed English folk with a river-water voice — quietly one of the best writers of her generation, turning small domestic details into devastating songs.
UK garage revival heat — skippy drums and low-end pressure, two-step engineered for the new generation of dancefloors.
Oregon folk-country riser — earnest, streaming-era troubadour with a fanbase that found him one chorus at a time.
Oliver Forest
Polish techno provocateur — fast, hard, and gleefully irreverent, rave intensity with an internet-native sense of humor.
Lou Val
Berlin's gabber-punk duo — screamed German vocals over pummeling club tempos, equal parts rave, hardcore show, and performance-art provocation.
Baby Nova
Hannah Judge's bedroom-built indie rock — wry, fuzzed-out, and quietly anxious, small songs with hooks that refuse to leave.
Laura Scavo
Genre-smashing Melbourne punk-rap — riffs, bars, and zero regard for lanes, delivered with a hardcore band's physicality.
Stella Lefty
Airrica
Anthemic Irish folk-rock — banjo-driven singalongs built for fields, Limerick lads on a steep national rise.
Museums
Montreal rapper repping the city's anglo hip-hop underground — homegrown bars from the 514, scene-carrying energy included.
partyOf2
Montreal's roving SMS-only party turned collective — pan-African club sounds, moonlit, a whole scene distilled into one set.
Grand Eugène
Funk-flecked Gen-Z bedroom pop — 'Chest Pain (I Love)' and a fast-rising live rep, Steve Lacy instincts with his own snap.
Québec's franco-pop charmer — playful, synth-kissed chanson for the home crowd, delivered with a wink, francophone pop's brightest grin.
ZULAN
Feel-good house edits gone huge — crowd-pleasing flips built for hands-up moments, a set with zero pretension and full commitment.
Australian house heater — half of the HYPERBEAM b2b with OMNOM, flip-happy edits with festival-scale bounce.
Irish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
DELAVELOUR
Cree and Salish singer weaving Indigenous roots into warm folk-pop and R&B — powwow-honed vocals in a new frame.
Toronto pop-rock quartet — glossy, sentimental, and huge with the TikTok-indie crowd, harmonies engineered for the closing montage.
Irish folk trio — hushed three-part harmonies and homesick story-songs that have been quietly filling rooms far bigger than anyone expected.
Sibling duo making fuzzy, playful alt-pop with internet-era intimacy — lo-fi textures and hooks that sound DM'd directly to you.
Filipino-Canadian pop craftsman — hooks first, feelings close behind, Toronto polish on diary-page pop, earworms with genuine warmth underneath.
Zoe Gitter
Toronto's teenage alt-pop riser — bedroom-written songs with pop-punk teeth and a diarist's eye for adolescent detail.
Viral dark art-pop — spoken-word menace over strings, Gen Z's gothic conscience with a scalpel for a pen.
Perth indie-rock with aching hooks — Australia's biggest new guitar band, 'Booster Seat' devotion at full volume.
Toronto's genre-splicing club force — dancehall, jungle, and R&B collide in her JELLY parties and productions, remapping the dancefloor around diasporic bass.
Gossamer French avant-pop — choral synths and whispered melody, songs that feel lit by candles and screens at once.
Billie du Page
The drag superstar behind the decks — camp, pop edits, and pure joy, with folk-album credentials in the back pocket.
Montreal soul voice — intimate, bilingual R&B delivered with jazz-club poise and late-night restraint, songs that hush a room into leaning closer.
Anonymous collective making orchestral hip-hop spectacle — the mystery is the point, and the strings are real.
Berlin's masked 'farmcore' phenomenon — giddy barnyard-trance house played dead serious, 'My Barn My Rules' as manifesto.
French techno veteran — acid-flecked grooves from a free-party lifer, rave roots audible in every squelch.
French techno on the big-room end — driving, melodic, precise, engineered for the main-stage laser budget.
The headliners
Twenty One Pilots — Genre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki.
Tate McRae — Dancer-first pop stardom — precision choreography and inescapable hooks, delivered at full sprint with a dance captain's discipline.
Lorde — The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Up-and-comers to catch early
SOFIA ISELLA — Viral dark art-pop: spoken-word menace over strings, Gen Z's gothic conscience.
Bambii — Toronto's genre-splicing club force. Dancehall, jungle, and R&B collide in her JELLY world.
Malcolm Todd — Funk-flecked Gen-Z bedroom pop: 'Chest Pain (I Love)' and a fast-rising live reputation.
Tia Wood — Cree and Salish singer weaving Indigenous roots into warm folk-pop and R&B.
AVIV — Toronto's teenage alt-pop riser: bedroom-written songs with pop-punk teeth.
Super Plage — Montreal's sunniest synth-pop, francophone disco warmth for the home crowd.
Other acts worth planning around
Angine de Poitrine — Announced the morning of and slotted onto River on Saturday: the masked Saguenay duo's surprise set.
Wolf Parade — Montreal indie rock institution, with jittery, anthemic songs and home-field advantage.
Blood Orange — Dev Hynes's velvety art-R&B: '80s soul textures, jazz chords, and quiet heartbreak.
YOASOBI — Japan's novel-into-song hitmakers. The live band goes harder than you'd expect.
Little Simz — One of rap's sharpest pens, full stop: orchestral ambition and North London grit.
Viagra Boys — Sweaty, saxophone-wielding Swedish post-punk satire, and one of the best live bands on earth.
Amelie Lens — Belgium's techno figurehead: relentless, hypnotic peak-time sets for the tent faithful.
Trixie Mattel — The drag superstar behind the decks: camp, pop edits, and pure joy.
The lineup by day
Friday lineup (July 31)
Twenty One Pilots, The xx, The Neighbourhood, Geese, Wet Leg, Amelie Lens + 23 more
Friday set times (29 sets)
- Super Plage · River
- Moses Belanger · Island
- Avenoir · Valley
- Rio Kosta · Mountain
- Baalti · Island
- WHATMORE · Forest
- Wunderhorse · River
- Jim Legxacy · Valley
- Wolf Alice · Mountain
- Vandelux · Island
- Amber Mark · Forest
- Wet Leg · River
- Berlam · Backyard Sessions
- Billie Marten · Valley
- MPH · Island
- Blood Orange · Mountain
- Max McNown · Forest
- Oliver Forest · Backyard Sessions
- The Neighbourhood · River
- VTSS · Island
- Bob Moses · Valley
- Lou Val · Backyard Sessions
- The xx · Mountain
- YOASOBI · Forest
- Brutalismus 3000 · Island
- JID · Valley
- Twenty One Pilots · River
- Amelie Lens · Island
- Geese · Forest
Saturday lineup (August 1)
Tate McRae, Sombr, Turnstile, Empire of the Sun, Mt. Joy, Franz Ferdinand + 25 more
Saturday set times (31 sets)
- Baby Nova · River
- Laura Scavo · Island
- fanclubwallet · Forest
- Stella Lefty · Mountain
- Ecca Vandal · Valley
- Airrica · Island
- Wolf Parade · River
- Kingfishr · Forest
- Bar Italia · Valley
- Villager · Island
- Museums · Backyard Sessions
- Finn Wolfhard · Mountain
- partyOf2 · Forest
- Angine de Poitrine · River
- Moonshine · Island
- Grand Eugène · Backyard Sessions
- AJ Tracey · Valley
- Malcolm Todd · Mountain
- Little Simz · Forest
- ZULAN · Island
- Virginie B · Backyard Sessions
- Mt. Joy · River
- Viagra Boys · Valley
- it's murph · Island
- Franz Ferdinand · Forest
- Sombr · Mountain
- Turnstile · Valley
- Odd Mob · Island
- Tate McRae · River
- Empire of the Sun · Forest
- KETTAMA · Island
Sunday lineup (August 2)
Lorde, Gunna, Major Lazer, Clipse, Subtronics, Zara Larsson + 24 more
Sunday set times (30 sets)
- Valley · River
- Tia Wood · Valley
- DELAVELOUR · Island
- Amble · Mountain
- Between Friends · Forest
- CMAT · River
- MICO · Valley
- Zoe Gitter · Island
- SOFIA ISELLA · Forest
- AVIV · Backyard Sessions
- Spacey Jane · Mountain
- Bambii · Island
- Oklou · Valley
- Mother Mother · River
- Billie du Page · Backyard Sessions
- Trixie Mattel · Island
- Paris Paloma · Forest
- Clipse · Mountain
- Of Monsters and Men · Valley
- Fernie · Backyard Sessions
- Zara Larsson · River
- SG Lewis · Island
- Not For Radio · Forest
- Gunna · Mountain
- HorsegiirL · Island
- Subtronics · Valley
- Lorde · River
- Major Lazer · Forest
- Space 92 · Island
- Popof · Island
Osheaga 2026 lineup FAQ
When is Osheaga 2026?
July 31–August 2, 2026 (Friday through Sunday).
Where does Osheaga take place?
Parc Jean-Drapeau on Montreal's Île Sainte-Hélène, a quick ride from downtown on the metro's yellow line.
Who is headlining Osheaga 2026?
Twenty One Pilots (Friday), Tate McRae (Saturday), and Lorde (Sunday).
How many acts are playing Osheaga 2026?
90 acts across three days and multiple island stages, counting Angine de Poitrine's surprise Saturday addition.
What days do specific acts play?
Every act's day is already on this page. Expand the full lineup below or check the day-by-day breakdown.
How do I figure out which of the 90 acts I'd actually like?
Tell the finder at the top of this page a few bands you love, and it'll match you with your must-see sets, with reasons why.
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