Grammy-winning North Carolina native and Americana's most prolific lifer, a songwriter's songwriter with dozens of albums and a long bluegrass streak alongside Ralph Stanley.
AmericanaBluegrass
Name a few bands you love and we'll scout all 42 acts on the Raleigh Wide Open bill for the ones you shouldn't miss.
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Raleigh Wide Open takes over downtown Raleigh on October 1-3, 2026, and it is free. The festival is produced by PineCone, the Raleigh nonprofit that has spent decades keeping Piedmont traditional music funded and audible, and the booking reflects that: bluegrass, old-time, gospel quartet singing, son jarocho, son huasteco and Icelandic folk on the same weekend, with nobody asked for a ticket.
Thursday October 1 is a free kickoff at The Corner on N.C. State's Centennial Campus with three of the festival's bands. The real weight lands Friday October 2 and Saturday October 3, when four outdoor stages (City Plaza, Davie Street, PineCone and Martin Street) run in parallel through the afternoon and into the night.
Two things set it apart from a normal roots bill. Martin Street is given over to square dancing both nights, 7:30 to 10:30, with Earl White Stringband and the Five Points Rounders playing and Phil Jamison and Nancy Mamlin calling. And the City of Raleigh Museum hosts artist interviews on Friday and author talks on Saturday, so Jim Lauderdale, the Fairfield Four, Brek and Alice Gerrard can be heard talking as well as playing.
The Saturday bill was re-cut in the final days: Allison de Groot & Tatiana Hargreaves are off, the Eastside Ramblers take their City Plaza slot, and the Carolina Cutups, Hubby Jenkins, the Gospel Jubilators, Hank, Pattie & the Current, Tray Wellington Band, The Onlies and Brek each picked up a second set, with Brek closing the Davie Street Stage at 10:15.
Expect bluegrass, old-time, string band and progressive bluegrass across 42 acts.
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Grammy-winning North Carolina native and Americana's most prolific lifer, a songwriter's songwriter with dozens of albums and a long bluegrass streak alongside Ralph Stanley.
AmericanaBluegrass
A cappella gospel quartet organized in Nashville in the 1920s and still going, Grammy-winning, National Heritage Fellowship-honored, with a bottom end you feel in your chest.
GospelA cappella gospel
North Carolina band running Irish and Appalachian tune traditions through a punk-tempo string band, with fiddle, banjo, and a lot of shouting.
Celtic punkString band
Grammy-nominated East Tennessee band playing hard-charging traditional bluegrass with the road miles and the IBMA hardware to back up bandleader C.J. Lewandowski's claim that they live what they sing.
BluegrassTraditional bluegrass
Kevin Russell's post-Gourds nine-piece plays Texas blues, New Orleans funk, Memphis horns and border music, delivered in a technicolor suit with a ukulele.
Roots rockSoul
Multi-instrumentalist Luke leads a band rooted in bluegrass tradition while writing toward a more personal voice: pickers' chops, songwriter's aims.
Bluegrass
Icelandic group splicing their own folk tradition into wider currents, and winners of the folk and world category at the Icelandic Music Awards.
Icelandic folkNordic folk
North Carolina Piedmont outfit playing old-time-leaning bluegrass with a rough edge and no interest in polish: porch music that never got sanded down for the stage.
BluegrassOld-time
Grammy-winning roots duo Cathy Fink and Marcy Marxer with hammered dulcimer player Chao Tian, braiding Chinese classical melody into Appalachian string-band music.
Old-timeWorld folk
North Carolina Piedmont a cappella group singing together since 1972 in the jubilee style that runs back to the 19th century.
GospelJubilee quartet
Banjoist Hank Smith and fiddler Pattie Hopkins Kinlaw front a bluegrass band that folds Motown, jazz and classical phrasing into the traditional frame.
BluegrassProgressive bluegrass
High-country North Carolina band led by multi-instrumentalist Liam Purcell, tagged by No Depression as "the future of bluegrass," with innovation that doesn't abandon the form.
BluegrassProgressive bluegrass
North Carolina collective playing son jarocho (the Veracruz string-and-zapateado tradition) and building community around the fandango, dance floor included.
Son jarochoLatin folk
All-women Colorado string quartet with conservatory chops and a bar-band mouth, playing ripping instrumentals, dark humor and songs that don't flinch.
String bandNewgrass
Founding Green Grass Clogger Earl White leads one of old-time's most in-demand dance bands, a Black fiddler carrying forward a tradition Black communities built.
Old-timeString band
Venezuelan harpist Larry Bellorín and North Carolina banjoist Joe Troop trade llanera and Appalachian repertoire across harp, cuatro, banjo, fiddle and maracas.
LlaneraAppalachian folk
Vivian Leva and Riley Calcagno write future-leaning indie folk on an old-time backbone, sung in the tightly wound harmony style they both grew up inside.
Indie folkOld-time
North Carolina songwriter with an unhurried, warm-grained Americana voice; he self-produced Heavy Thrill at the Cash Cabin and put it out on his own label.
AmericanaCountry-folk
Winston-Salem progressive R&B where gospel, funk, and hip-hop are bent slightly askew; featured on Barack Obama's 2019 year-end playlist, and still climbing.
progressive R&BSoul
Columbia, South Carolina five-piece splitting the difference between traditional bluegrass and modern jamgrass, at speed, with porch tunes powered by race-car engines.
BluegrassJamgrass
North Carolina trio playing son huasteco from Hidalgo, Mexico, with soaring improvised fiddle, falsetto harmony, and jarana-and-huapanguera drive: tradition kept dancing.
Son huastecoLatin folk
Brooklyn-born multi-instrumentalist and Carolina Chocolate Drops alum who follows the African American thread running through America's traditional music forms, with banjo, bones, and guitar in service of the story.
Old-timeCountry blues
IBMA Momentum-winning banjoist leading a band of broad, thoroughly composed new-acoustic instrumentals, cerebral and intentional without ever getting cold.
BluegrassProgressive bluegrass
Che Apalache founder Joe Troop convenes old-time and bluegrass friends into an openly political string band, with the self-described "artivist" leading a full backing crew.
BluegrassProtest folk
Young Seattle-rooted string band who grew up playing together, giving old-time a fuller, denser and more propulsive sound than the form usually allows.
Old-timeString band
Mipso co-founder turned solo songwriter, raised Quaker in the North Carolina Piedmont and writing plainspoken topical songs in the Guthrie-Seeger line for a very online age.
FolkProtest folk
Cary, North Carolina bluegrass band that hosts a weekly Sunday jam at Bond Brothers and turns up often on PineCone's Beer and Banjos series.
Bluegrass
Jamie Collins, Martha Spencer and Brett Morris sing Blue Ridge standards and originals in honeyed three-part harmony, with clogging shoes on.
Appalachian folkOld-time
Laura Wortman and Kagey Parrish, two voices and two instruments across two decades, with clawhammer banjo, mandolin and electric guitar pushing quiet folk somewhere stranger.
FolkAmericana
Banjo pioneer Tony Trischka built this tribute from tapes of Earl Scruggs and John Hartford jamming at Scruggs's house, transcribing the solos note for note so others could play them.
BluegrassProgressive bluegrass
Bluegrass Hall of Fame singer, fiddler and guitarist whose 1960s and '70s duo records with Hazel Dickens opened the music to generations of women; she also founded the Old-Time Herald.
Old-timeBluegrass
Mipso's mandolinist and co-founder, raised in the North Carolina mountains and now out on his own; solo debut Middle Kid was built from the musical friendships he made in Brooklyn.
Indie folkString band
Contemporary Celtic trio from Fife driving Scottish and Irish tune traditions through rock and funk energy, with original songs and soundscapes between.
CelticFolk-rock
Drummer-singer Sean Trischka and guitarist Stash Wyslouch as a duo, with bluegrass picking wired to top-40 hooks and lush harmony on their debut Satan's Junction.
BluegrassAlt-bluegrass
Young Boone, North Carolina band honoring traditional bluegrass with a warm, contemporary edge, playing mountain-town roots forward.
Bluegrass
South Central Los Angeles multi-instrumentalist who plays prewar blues, rags and string-band music as inheritance rather than revival: his family's Great Migration route, run backwards.
Country bluesOld-time
Flatpicking bluegrass trio out of the North Carolina Piedmont, playing traditional repertoire clean and quick.
Bluegrass
Young western North Carolina band chasing the spirit rather than the surface of first-generation bluegrass, raw, driving and deliberately unsanitized.
BluegrassTraditional bluegrass
The University of North Carolina's audition-only student bluegrass band, playing traditional and contemporary repertoire steeped in local tradition since 2016.
Bluegrass
North Carolina Piedmont dance caller of more than 30 years and a founder of Dare to be Square, where everyone dances and no experience is required.
Square dance callingOld-time
Dance caller, flatfoot dancer and old-time musician, over forty years a Green Grass Clogger, dance consultant on the film Songcatcher, and author of Hoedowns, Reels, and Frolics.
Square dance callingOld-time
Durham-area string band playing the traditional old-time music of the southern Appalachians, tuned for a square dance floor rather than a listening room.
Old-timeString band
The Tan & Sober Gentlemen · North Carolina band running Irish and Appalachian tune traditions through a punk-tempo string band, with fiddle, banjo, and a lot of shouting.
Redbud · Boone-based young band playing traditional bluegrass with a warm contemporary edge.Set times below cover Friday October 2 and Saturday October 3. Several artists play more than once across the weekend; the listed slot is their main stage set.
The Fairfield Four, Jim Lauderdale, The Tan & Sober Gentlemen, Big Richard, Earl White Stringband, From China to Appalachia + 16 more
The Po' Ramblin' Boys, Shinyribs, Eastside Ramblers, Earl White Stringband, Hank, Pattie & the Current, Joseph Terrell + 19 more
October 1-3, 2026. Thursday October 1 is a kickoff at The Corner on N.C. State's Centennial Campus; the main festival runs Friday October 2 and Saturday October 3 across downtown Raleigh.
Yes. Admission to the festival and to the Thursday kickoff is free. It is produced for the community by the Raleigh nonprofit PineCone.
Bluegrass, old-time and Americana form the spine, alongside gospel quartet singing, Venezuelan llanera, son jarocho, son huasteco, Celtic music from Scotland, Icelandic folk and North Carolina R&B.
Four outdoor stages downtown (City Plaza, Davie Street, PineCone and Martin Street), plus the City of Raleigh Museum on Fayetteville Street for artist interviews and author talks.
Yes. Martin Street Stage hosts a square dance from 7:30 to 10:30 on both Friday and Saturday, with Phil Jamison and Nancy Mamlin calling.
Raleigh Wide Open is expected back in October 2027; the festival has not announced the 2027 dates yet. The 2026 lineup stays on this page until it does.
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