Glasgow's volume worshippers play instrumental post-rock that goes from whisper to avalanche, with thirty years of earplugs earned.
Post-rock
Green Man turns 25 in the Black Mountains, four days of folk, psych and left-field pop in Wales's mist-wrapped mountain amphitheatre. Lineup TBA.
The 2027 lineup hasn't dropped yet. Below is the full 2026 bill to explore in the meantime.
Name a few bands you love and we'll scout all 96 acts on the Green Man bill for the ones you shouldn't miss.
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Green Man is the UK festival people get evangelical about: four August days in a natural amphitheatre under Wales's Black Mountains, capped at a size where you can actually move, with a burning of the Green Man effigy to close and not a single sponsor banner in sight. The 2026 bill is peak Green Man. Four Tet, Wolf Alice, Wilco, and Mogwai up top, The Beta Band reunited, Sparks being Sparks, and below them the festival's specialty: psych, folk, Welsh-language pop, dub, and left-field discoveries stacked deeper than bills twice its size. Mountain weather included, no extra charge.
Expect electronic, indie rock, post-punk and folk across 96 acts.
Search it, filter by day, stage or genre.
Glasgow's volume worshippers play instrumental post-rock that goes from whisper to avalanche, with thirty years of earplugs earned.
Post-rock
America's great art-rock institution, from 'Yankee Hotel Foxtrot' to now, endlessly generous live, Nels Cline solos included.
AmericanaArt-rock
Kieran Hebden's glowing folk-tronic universe: patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
Electronic
Mercury-winning UK alt-rock: from whispered folk to full-throated fuzz in one set, with Ellie Rowsell commanding every register.
Alt-rock
New Zealand's shapeshifting folk enigma, where every song is a different possession, delivered with unnerving stillness, strange voices, and total command of a silent room.
FolkArt-pop
Louche London spoken-word pop from Ian Dury's boy, filthy and funny over silk grooves, delivering seedy character studies like a lounge singer gone wrong.
Spoken-word pop
Deadpan spoken-word over wiry post-punk: Florence Shaw's found-text poetry is delivered motionless while the band churns behind her.
Post-punkArt rock
South London post-punk's sweatiest live act: communion by mosh, shirtless and crowd-borne by mid-set, 'One Rizla' to now, all sweat.
Post-punk
Norwegian duo's icy avant-pop: classical strings meet club unease, beauty kept deliberately off-balance, fashion-week cool with conservatory bones.
Avant-popElectronic
Dublin garage-punk catharsis, where Karla Chubb turns anxiety into anthems, every chorus a controlled explosion, the city's loudest catharsis specialists.
Garage punk
The selector's selector, with Hessle Audio's omnivorous ear and no productions needed; a world-class reputation built purely on what he plays and how.
UK bassTechno
Welsh art-pop's crooked genius, with angular, elegant songs bent at fascinating angles, and a home-turf hero on any Welsh bill.
Art-pop
Smoke-voiced British soul with torch songs of modern nerve, a BRIT-anointed voice built for the spotlight and the string section.
Soul
The 'Drone Logic' architect live brings strobe-lit techno with a shoegaze heart, walls of texture that blur the line between club and gig.
TechnoElectronic
Young Chicago trio channeling '80s and '90s indie, with deadpan harmonies over jangling guitar pop and Sonic Youth homework turned into something their own.
Indie rockPost-punkJangle
Philly band swinging between shoegaze tenderness and full-throated hardcore, often inside one song, with catharsis and total dynamic control.
PunkAlt-rock
Brooklyn's OMD-hearted synth-pop romantics make motorik melancholy that soars live, with analog synths and total sincerity, romance for drum machines and the people who love them.
Synth-pop
North London's warped pop miniaturists: sticky hooks, uncanny angles, songs that sound familiar until they curdle.
Indie rock
Scotland's beloved kitchen-sink psychedelicists, reunited: 'Dry the Rain' at last, and the High Fidelity scene made flesh.
FolktronicaPsych
Operatic guitar heroine, twice Mercury-shortlisted, all flamenco-flecked drama and white-knuckle restraint until the Telecaster finally erupts.
Art-rock
Chan Marshall's smoke-and-velvet songbook is fragile, fearless, singular, whether reinventing her own catalog or channeling Dylan's.
Indie folk-soul
'New Forms' and beyond: Bristol jungle royalty with a Mercury on the shelf, breaks chopped like it's 1997 forever.
Drum & bass
Dub's mixing-desk prodigy and King Tubby's heir, rewiring bass in real time, a live dub masterclass at festival volume.
Dub
The Mael brothers' 50-year art-pop conspiracy is wittier than everyone, still ahead, and finally getting the flowers.
Art-pop
Trip-hop's shadow king, with the whispered menace of 'Maxinquaye' live and Bristol paranoia thickened by three decades.
Trip-hop
Asheville's country-gaze storytellers with lap steel, feedback, and busted-truck poetry, narrating the South's weird corners in high fidelity.
Country-gaze
Welsh dream-pop noir with slow-burn electronics and 3 a.m. honesty, building club pulses into songs that stay whisper-close no matter how big the room gets.
Dream-popElectronic
The Welsh voice-of-an-angel leading a maximalist covers party, with pure joy, zero irony, and a setlist that swerves from pop bangers to power ballads without apology.
Pop coversParty
Church Village Collective (Welsh good-time rock with '70s harmonies, guitar-solo swagger, and a bar-band looseness played at festival scale).
Classic rockWelsh
Chicago's chamber-punk romantics: big feelings, bigger crescendos, and a debut that made half the indie press swoon.
Indie rock
Brighton's wonky-pop quartet play groove-led indie with a wink: disco basslines under deadpan observations, art-school playfulness with proper hooks.
Indie pop
Togolese voodoo-pop: call-and-response trance over analog synth bass, with women's voices carrying ritual into the club.
Togolese voodoo-pop
Experimental rock
Leeds lads making hardware-driven post-punk bangers about mundane dread, with deadpan vocals over squelching synths, pitched somewhere between a big night out and an existential crisis.
Electronic post-punk
The lost-tape legend himself brings hyperactive Twi rap-highlife joy, rescued from an obscure cassette by Awesome Tapes From Africa and turned into a global dance party.
Ghanaian rap-highlife
Techno DJ turned dream-pop bandleader, with DJ-Kicks grace rebuilt at song scale and club-honed instincts smoothed into gauzy, sophisticated pop.
Dream-popElectronic
New York electronic duo making IDM-inspired collage pop, all buzzing bass, clipped blips and icy, close-miked vocals.
Electronic
Bristol's absurdist funk-punk duo: crisps, capitalism, and cowbell, mundane British life set to grooves that genuinely slap.
Comedy funk-punk

Indie rock
Burlington's cracked-country rocker, with road-worn songs that lurch and soar, scuffed-up guitar poetry in the Lenderman school.
Indie rock
Texas duo's pillow-soft indie pop with warm tape hiss and quiet ache, songs that feel like naps you wake from slightly sad.
Indie pop
Cherokee songwriter with an old soul: quiet Oklahoma folk that cuts deep, lines that sound handed down rather than written.
Folk
Technicolor rave nostalgia: breakbeats bathed in VHS sunshine, hardcore's golden era remembered warmer than it ever actually sounded.
RaveElectronic
West-of-Ireland dream-pop with mist, radio static, and 4AD hush, Connemara landscape rendered as sound, songs that drift in like weather.
Ambient dream-pop
Montreal's deadpan club philosopher brings 'Work It' irony at 130 BPM, electro-club critique you can sweat to.
ElectroSpoken-word techno
Danish artist building weightless guitar-pop out of processed tones and near-whispered melody, with uncanny-valley beauty rendered in high definition.
Ambient-popExperimental
Uncanny English art-folk: pastoral songs with teeth, violin scrape and strange narratives from London's experimental fringe.
Art-folk
Cameron Picton's project after black midi, carrying that band's restless arrangements into more songwriterly, expansive indie.
Indie
Folk
Hebridean psych-folk mischief from the Isle of Eigg's one-man label boss, island whimsy with an experimentalist's ear.
Psych-folk

Post-punk
Detroit noise-punk provocation that is confrontational and magnetic, a live show that dares you to look away.
Post-punkNoise
Brighton's ritualistic folk-punk coven with violin, drums, and wild-eyed harmony, part gig and part rite, folk horror you can dance to.
Folk-punkArt
Big-hearted showman-rock: a bar-band Springsteen for the group chat era, played with total sincerity, showmanship as its own kind of honesty.
Indie rock
Manchester's buzzy new guitar gang are scrappy, hook-first and rising fast on word of mouth, and the hype is earning itself.
Indie rock
NYC's loudest band, with strobe-and-feedback annihilation through homemade pedals, carrying the Jesus and Mary Chain's torch straight into the noise floor.
Noise rockShoegaze
Rio's disco-funk polymath, with boogie basslines, tropical glam, and a crate-digger's command of Brazilian pop history reassembled into something completely current.
Brazilian pop-funk
Barcelona's tribal-industrial duo, with chants and drum machines in lockstep, EBM pulse with a Mediterranean ritual streak.
Industrial tribal
Fingerpicked folk parables ('The Bug Collector' and quiet devastation), garden-and-insect imagery hiding songs that cut deep.
Folk
Fat White Family's Saul Adamczewski gone easy-listening, with seedy lounge-pop pearls and sweetness with something unsettling underneath.
Exotica pop
Simian Mobile Disco's half and producer to Arctic Monkeys, now with solo pastoral electronics, a studio polymath finally under his own name.
ElectronicSongwriter
Gothic disco-pop melodrama: hooks with a broken grin, theatrical sadness you can dance to, camp and heartbreak sharing one microphone.
Pop
Dean Blunt's favorite guitarist, whose smudged, dreamlike folk sketches hover somewhere between demo and dream.
Ambient folk
Brighton's brass-blasted jazz-punk cabaret is sleazy, sweaty, superb, like the house band for a bar you shouldn't be in.
Jazz-punk
West-coast gothic folk with spectral voice over darkwave undertow, songs that flicker like candlelight in a drafty room.
Gothic folk
Izzy Hagerup's gnarled, gripping songs are beautiful and unsettling at once, with a voice that turns rooms silent mid-chord.
Indie rock
Seoul garage-punk cool with bratty hooks and art-scene bite, international underground buzz well earned, the city's coolest new export.
Punk
Irish folk with a glitching hard drive: wry songs, warped tape, tradition run through a broken laptop on purpose.
Folktronica
Sun City Girls' guitar mystic, with flamenco, raga, and surf in one restless hand, improvisation as travelogue.
Guitar improv
Deptford's communal jazz ritual: horns, chants, and South London uplift, a weekly session grown into a movement.
UK jazz
Saharan desert-blues caravan with Tamasheq anthems of exile and pride, hypnotic guitar circles under open sky.
Tuareg rock
Melbourne guitar-pop with Strokes-y snap. Australia's word-of-mouth favorite, tight songs played loose, garage-pop craft beyond their years.
Indie rock
Welsh garage-pop machine with two-minute songs, endless charm, home-crowd advantage, and a work rate that shames most bands.
Garage pop
Reverb-drenched art-rock with two guitars arguing beautifully, motorik patience under the haze, built for repeat listens.
Psych-rock
Hot Chip's falsetto heart alone at the piano: tender machine-soul unplugged, reworking dance euphoria into something small, strange, and quietly devastating.
Piano pop
Minimalist LA synth-punk trio with icy grooves and motorik precision, like a security-camera feed of a party you're not cool enough to attend.
Post-punkSynth
Fat White-adjacent acid-house deviants bring sleaze at 303 pressure, live, like a basement club night gone gloriously wrong.
Acid house
Drum & bass's quiet radical, who makes deep, soulful selections as a scene lifer who has championed the genre's overlooked voices for decades.
Drum & bassDJ set
Hushed, unhurried songwriting from a new voice with old grace.
Folk
North London's wry indie-pop prodigy brings glitter over grit, with fuzzy hooks and a lyricist's smirk underneath.
Indie pop
Richard Russell's XL house band, with rotating voices and deep soul, the label boss producing a revue built on whoever's in the room.
Soul collective
NYC's buzziest indie-dance trio, with baggy house grooves and downtown cool, like Madchester relocated to a Chinatown basement.
Indie danceHouse
Manchester's hyper-collage electronics: noise, pop, and motorsport samples spliced into club music with a crash-test thrill.
Electronic
London-Congolese powerhouse with rumba, soukous, and horn-stoked joy, virtuosic musicianship played strictly for dancing, Kinshasa tradition at London velocity.
Congolese rumba-jazz
Omnichord hymns from rural Virginia: luminous, homespun minimalism, songs that glow like lamplight through gauze.
Minimal folk-pop
Portland motorik machine: kosmische propulsion, strictly forward, Neu! worship played with total discipline, grooves that lock in and refuse to blink.
Krautrock
Amsterdam group formed in 2021, reworking Indonesian keroncong and folk traditions into something closer to pop, with heritage music handled by a diaspora generation.
Cardiff's funniest, fiercest punks bring group-chat energy with riffs, in-jokes sharpened into anthems, the funniest serious band in Wales.
Punk
Indie
Leeds's dub-jazz seven-piece play sub-bass warmth under velvet vocals, headphone music that fills a field, cinematic low-end played fully live.
Dub-jazz
Bristol's hushed jazz-ambient miniatures, trip-hop's gentlest descendants: small songs that rewire a room's attention, quiet music with total gravity.
Jazz-ambient
Gareth Bonello's Welsh-language folk is riverbank fingerstyle and hiraeth, tradition carried gently forward, one of Cardiff's quietest treasures.
Welsh folk
Welsh-London jangle-punk with Richard Thompson melodies at Buzzcocks speed, folk-club craft in a punk frame, the revival's sharpest writers.
Jangle punk

Pop
Melbourne soft-pop sunshine with strings, Rhodes, and easy grace, '70s studio-pop craft revived gently, sunshine engineered in the studio.
Soft pop
Wye Oak's Jenn Wasner solo: knotted, generous art-pop where the guitar heroics hide inside the arrangements.
Art-pop
Four Tet · Kieran Hebden's glowing folk-tronic universe: patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
Wilco · America's great art-rock institution, from 'Yankee Hotel Foxtrot' to now, endlessly generous live, Nels Cline solos included.
Mogwai · Glasgow's volume worshippers play instrumental post-rock that goes from whisper to avalanche, with thirty years of earplugs earned.Mogwai, Lime Garden, Charlotte Church's Pop Dungeon, Nana Benz Du Togo, CVC, Friko + 2 more
Wilco, Aldous Harding, Baxter Dury, Dry Cleaning, Shame, Sprints + 23 more
Four Tet, The Beta Band, Celeste, Cate Le Bon, Nation Of Language, Mannequin Pussy + 23 more
Wolf Alice, Cat Power, Sparks, Wednesday, Anna Calvi, Tricky + 23 more
August 20–23, 2026: Thursday through Sunday.
The Glanusk Estate in the Brecon Beacons (Bannau Brycheiniog), Wales, a natural mountain amphitheatre.
Four Tet, Wolf Alice, Wilco, and Mogwai.
This page tracks the 96-act core music bill; the full site program adds Rising-stage newcomers, DJs, comedy, and science talks.
Green Man publishes its day splits and set times on its site closer to August. Save your acts on LineupScout and they'll become a personal schedule the moment times land.
Tell the finder at the top of this page a few bands you love, and it'll match you with your must-see sets, with reasons why.
Not yet. Last year the festival announced its lineup on March 3, 2026. The 2027 lineup goes up on this page as soon as it is out.
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