A classically trained producer whose precision-engineered pop-EDM defined mainstage sound for a decade, with 'Clarity' still the gold standard.
EDMElectro house
BOO Arizona 2026 Lineup
Insomniac's Halloween weekend at WestWorld of Scottsdale: two nights on two themed stages, with Zedd on Friday and The Chainsmokers on Saturday.
BOO Arizona is expected back October 2027 (dates aren't announced yet). Until then, here's the full 2026 lineup and the acts you would have loved.
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At a glance
- Dates
- –Friday to Saturday, two days
- Where
- WestWorld of Scottsdale, Scottsdale, AZ
- Lineup
- 31 acts
- Website
- Official site
BOO Arizona 2026 lineup & schedule: all 31 acts
Search it, filter by day, stage or genre.Browse all 31 acts
Search it, filter by day, stage or genre.
EDM-pop juggernauts: the closers everyone knows every word to, 'Closer' included, obviously, a hits run that never left the radio.
EDM-pop
Melodic big-room house from a producer who was making festival anthems as a teenager. 'Five Hours' is the one the whole field still knows.
Big-roomElectro-house
Producer's producer, with sound design so intricate that other artists study his sessions, drops built like Swiss watches.
DubstepRiddim
The producer behind "Do It To It", the house record that went from a looped vocal to every main stage in a season, and a set built to land that hook again every few minutes.
HouseTech-house
French-touch house with a permanent grin, featuring filtered disco loops and rubber-band basslines in the proud national tradition.
French house
Tech house as sleight of hand: the mixing itself is the show, cut so fast the transitions become the hook.
Tech-houseHouse
Melodic dubstep with a trance heart, with soaring vocal tops over drops that still hit hard underneath, Ophelia-label worldbuilding included.
Melodic-dubstepTrance
Deadpan
Electronic
Fieldz B2B Mile32
2DY4
Electronic
Zoe Gitter
Dance
Capochino
Dubstep
Los Angeles producer of dark acid techno, with releases on Drumcode and the Kurai Records label she co-founded.
Hard-techno
Los Angeles producer working the blackened end of bass music, where industrial abrasion and horror atmosphere meet a very physical low end.
Dance
Dutch producer riding the big-room-to-hard-techno pipeline with real conviction, bringing main-stage scale to underground tempos, with drops built for the biggest rigs.
TechnoBig-room-techno
Australian producer making some of the heaviest and most precise riddim going, with surgical drops and zero wasted motion.
DubstepRiddim
Australian producer built for the loud end of the rave, playing hard techno at speeds that leave little room for subtlety.
Classically trained, which is audible in how carefully his heaviest drops are constructed: precision-tooled dubstep with composure under the chaos.
Dubstep
Los Angeles producer at the murkier end of bass music, making slow, cavernous dubstep engineered for large rigs and small rooms alike.
Dance
Aja Cruz
LUGH!
Dublin producer working the bright end of dance music, with pop-sized hooks built onto house frames.
Dance-popHouse
papajay
Heavy, riddim-leaning dubstep built for the low end and not much else.
DubstepRiddim
HEYZ
Greensboro, North Carolina producer who moved from techno into gritty, heavy bass music, built around strong vocals and real songwriting.
Dance
Disciple-school dubstep that is technical, mechanical and built around sound design rather than melody.
DubstepRiddim
French hard techno played fast and loud, and one of the sound's most in-demand exports.
Hard-technoTechno
Works the seam between moombahton, Jersey club and global bass, making rhythm-first club music that borrows from everywhere.
Global-bassMoombahtonTrap
Riddim producer with a heavy, minimal approach: a lot of space around some very large sounds, engineered for maximum stank face.
DubstepRiddim
Alyssa Jolee
Hardcore-techno
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