Southern-gothic epics — hymn-like, haunted Americana that turns festival fields reverent, the 'Preacher's Daughter' mythology unfolding at its own patient pace.
All Things Go DMV 2026 Lineup
The flagship All Things Go weekend at Merriweather Post Pavilion: indie-pop's biggest tent, pitched just outside DC.
All Things Go DMV is expected back September 2027 (dates aren't announced yet). Until then, here's the full 2026 lineup and the acts you would have loved.
Find the acts you'll love at All Things Go DMV
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About All Things Go DMV 2026
All Things Go's flagship weekend is indie-pop's biggest tent, pitched at Merriweather Post Pavilion just outside DC, three September days where the internet's favorite songwriters headline and the group chat plans outfits weeks ahead. The 2026 bill is the festival's thesis in full: Mitski, The Hayley Williams Show, and Brandi Carlile as anchors; Ethel Cain, MUNA, and Lola Young carrying the torch; and an undercard dense with the sharpest young pens in folk-pop and synth-pop. It's queer-forward, songwriter-obsessed, and unusually kind for a festival, with a comedy detour (Robby Hoffman) tucked in for good measure.
Expect pop, indie pop, folk-pop and singer-songwriter across 49 acts.
All Things Go DMV 2026 lineup & schedule: all 49 acts
Search it, filter by day, stage or genre. Save anything straight to your schedule.Browse all 49 acts →
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The internet's patron saint of yearning — theatrical, precise, devastating, every stage gesture placed like choreography because it is.
Life-affirming queer synth-pop — 'Silk Chiffon' joy with serious writing chops, and the best live banter in pop included.
Paramore's force of nature in her solo era — billed as a 'show' because it's more than a set, deep cuts and reinventions included.
'Messy' made her unavoidable — raw South London soul-pop with a busted-heart snarl and a voice that earns the Winehouse comparisons.
Americana's reigning voice — eleven Grammys of thunder and grace, with a catalog that moves from whisper to belt like weather changing.
Genre-fluid Boone collective — rapid-fire folk-rock with communal fervor, harmonies stacked high and crowds louder still.
Glitter-and-grit dance-pop — Y2K excess reborn as main-stage camp, played with total commitment to the fantasy.
Maximalist internet-native synth-pop, with a live show built to match the density of the records — lore, visuals, and hooks in equal supply.
Hazy, vintage-toned dream-pop — cinematic sad-girl songs with a wink, screen-star mystique earning its music credentials.
Heartthrob indie-pop — leather-jacket romanticism with pop craft, swooners engineered for the barricade and the long drive home.
Swedish pop machinery at its shiniest — 'Lush Life' to main-character bangers, delivered with total command.
Irish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
Mercury-winning UK alt-rock — from whispered folk to full-throated fuzz in one set, Ellie Rowsell commanding every register.
Florida indie rock built for festival fields — 'August' euphoria, surging choruses, and a live energy that outruns the recordings.
Criminally consistent R&B auteur — 'Nasty' finally made the world match her freak, a decade of underrated catalog now vindicated.
Josh Tillman's lounge-lizard prophet act — gorgeous orchestration, acid wit, and a crooner's delivery that sells every barbed line.
Remi Wolf
Funk-soaked alt-pop from Palo Alto, sung in a big elastic voice that never picks one color when six will do. 'Juno' and 'Big Ideas' are the albums.
West Virginia's gilded-age songbird — old-time, calypso, and honky-tonk swirled into something timeless, delivered in vintage lace and total command.
Hushed piano-folk for held breath — 'Where's My Love' softness, cinematic quiet built for closed eyes.
Stella Lefty
Sugar-trap screamo-rap pioneer — DMV hometown chaos, joyfully unhinged, whisper-to-shriek whiplash as a signature and a live show running on pure adrenaline.
Bay Area hyperpop auteur — glitchy, hooky, scene-defining, 'Wallsocket' worldbuilding included, internet-native songwriting at its sharpest.
Kiwi brothers making slinky, falsetto-led alt-funk — Auckland groove-pop polished to a late-night sheen, with basslines that do most of the flirting.
Glittering, game-engine electronic — Australia's most inventive young club producer, chiptune sparkle at rave pressure, drops that sparkle as hard as they hit.
Deadpan stand-up sharpshooter — the festival's comedy detour, delivered with tailored-suit precision and jokes engineered like watchworks.
Buzzy indie newcomer on the Merriweather bill.
Tender queer folk-pop storytelling — hushed, confessional songs that turn small intimacies into gut-punches, a For-You-page discovery turned devoted following.
Narcotic dream-pop duets — slow-motion romance in the Cigarettes After Sex register, candlelit vocals over slow-blooming guitar.
Austin-bred indie pop — 'Cowboys Cry Too' era momentum, wry heartbreak with a country shadow and a pen sharp enough to draw blood.
Cinematic sapphic pop — music videos with lore, hooks with teeth, a whole universe per single.
Scrappy, hook-stuffed bedroom electro-pop with real wit — Brooklyn miniatures that do more in two minutes than most albums manage.
Genre-hopping duo bringing club heat.
Gleefully off-kilter synth-pop — the med-school-dropout-to-viral-star pipeline, '80s drama sung with total abandon, homemade pop that sounds like nobody else's.
Haitian-French-American pop — island rhythms, viral hooks, and a passport's worth of influences in every chorus.
Auckland's harmony-stacked power-pop treasures — jazz-school chops, huge hearts, and 'Expert in a Dying Field' proof of mastery.
Zooey Deschanel and M. Ward's timeless retro-pop postcard — '60s AM-radio warmth performed with total sincerity.
Toronto's gang-of-girlfriends rock band — 'Blame Brett' and unstoppable momentum, breakup revenge served with a smirk.
Playful indie newcomers closing the undercard.
Rising pop songwriter opening the Merriweather weekend.
Guitar-and-heartbreak folk from the For-You page — small-room songs that made the algorithm cry first, earnest writing that outlasts the scroll.
Bedroom-pop riser on the All Things Go bill.
LA harmony-pop trio — sunlit, sisterly, huge-voiced, three-part choruses that sound genetically engineered, country-pop warmth with conservatory chops.
Berklee-born harmony trio — three voices braided into one instrument, close-harmony precision with dorm-room warmth, harmony nerds turned headliners.
Yes, Dave's daughter — and a genuinely arresting voice striking her own path, closer to torch song than stadium rock.
Scalpel-precise songwriting — one of the sharpest young pens in folk-pop, with a voice that lands every carefully chosen word.
UK-garage-inflected R&B — Kaytranada's favorite-vocalist energy, silk delivery over broken beats, two-step rhythms under velvet vocals.
'Calico' proved him one of pop's finest quiet craftsmen — BROCKHAMPTON's secret melodist gone pastoral, all pedal steel and patience.
The headliners
Mitski — The internet's patron saint of yearning — theatrical, precise, devastating, every stage gesture placed like choreography because it is.
Ethel Cain — Southern-gothic epics — hymn-like, haunted Americana that turns festival fields reverent, the 'Preacher's Daughter' mythology unfolding at its own patient pace.
The Hayley Williams Show — Paramore's force of nature in her solo era — billed as a 'show' because it's more than a set, deep cuts and reinventions included.
MUNA — Life-affirming queer synth-pop — 'Silk Chiffon' joy with serious writing chops, and the best live banter in pop included.
Brandi Carlile — Americana's reigning voice — eleven Grammys of thunder and grace, with a catalog that moves from whisper to belt like weather changing.
Lola Young — 'Messy' made her unavoidable — raw South London soul-pop with a busted-heart snarl and a voice that earns the Winehouse comparisons.
Up-and-comers to catch early
Jensen McRae — Scalpel-precise songwriting: one of the sharpest young pens in folk-pop.
Susannah Joffe — Austin-bred indie pop: 'Cowboys Cry Too' era momentum.
Hemlocke Springs — Gleefully off-kilter synth-pop: med-school-dropout-to-viral-star pipeline.
Naïka — Haitian-French-American pop (island rhythms, viral hooks).
Jake Minch — Guitar-and-heartbreak folk from the For-You page.
Zolita — Cinematic sapphic pop: music videos with lore, hooks with teeth.
Other acts worth planning around
Magdalena Bay — Imaginal Disk made them art-pop's darlings: retro-futurist synth worlds, dazzling live.
Father John Misty — Josh Tillman's lounge-lizard prophet act: gorgeous orchestration, acid wit.
Rico Nasty — Sugar-trap screamo-rap pioneer: DMV hometown chaos, joyfully unhinged.
She & Him — Zooey Deschanel and M. Ward's timeless retro-pop postcard.
The Beths — Auckland's harmony-stacked power-pop treasures (jazz-school chops, huge hearts).
The Beaches — Toronto's gang-of-girlfriends rock band, with 'Blame Brett' and unstoppable momentum.
Tiny Habits — Berklee-born harmony trio: three voices braided into one instrument.
The lineup by day
Friday lineup (September 25)
Mitski, Ethel Cain, Rainbow Kitten Surprise, Magdalena Bay, Slayyyter, Robby Hoffman + 6 more
Friday set times (12 sets)
- SYML · Chrysalis Stage
- Stella Lefty · Pavilion Stage
- Rico Nasty · Chrysalis Stage
- underscores · Chrysalis Stage
- Balu Brigada · Pavilion Stage
- Ninajirachi · Chrysalis Stage
- Rainbow Kitten Surprise · Pavilion Stage
- Robby Hoffman · Pavilion Stage
- Slayyyter · Chrysalis Stage
- Ethel Cain · Pavilion Stage
- Magdalena Bay · Chrysalis Stage
- Mitski · Pavilion Stage
Saturday lineup (September 26)
The Hayley Williams Show, MUNA, Zara Larsson, Suki Waterhouse, Del Water Gap, She & Him + 12 more
Saturday set times (18 sets)
- Glom · Chrysalis Stage
- Kevin Atwater · Pavilion Stage
- Love Spells · Pavilion Stage
- Susannah Joffe · Chrysalis Stage
- Zolita · Chrysalis Stage
- Grace Ives · Pavilion Stage
- Haute & Freddy · Chrysalis Stage
- Hemlocke Springs · Pavilion Stage
- Naïka · Chrysalis Stage
- Rebecca Black · Pavilion Stage
- The Beths · Chrysalis Stage
- She & Him · Pavilion Stage
- The Beaches · Chrysalis Stage
- Suki Waterhouse · Pavilion Stage
- Del Water Gap · Chrysalis Stage
- MUNA · Pavilion Stage
- Zara Larsson · Chrysalis Stage
- The Hayley Williams Show · Pavilion Stage
Sunday lineup (September 27)
Brandi Carlile, Lola Young, Father John Misty, Tinashe, Flipturn, Wolf Alice + 13 more
Sunday set times (19 sets)
- Wes Parker · Pavilion Stage
- Googly Eyes · Chrysalis Stage
- natalie jinju · Chrysalis Stage
- Jake Minch · Pavilion Stage
- Trousdale · Chrysalis Stage
- Tiny Habits · Pavilion Stage
- Violet Grohl · Chrysalis Stage
- Jensen McRae · Pavilion Stage
- Rochelle Jordan · Chrysalis Stage
- CMAT · Pavilion Stage
- Ryan Beatty · Chrysalis Stage
- Wolf Alice · Pavilion Stage
- Flipturn · Chrysalis Stage
- Tinashe · Pavilion Stage
- Father John Misty · Chrysalis Stage
- Remi Wolf · Pavilion Stage
- Sierra Ferrell · Pavilion Stage
- Lola Young · Chrysalis Stage
- Brandi Carlile · Pavilion Stage
All Things Go DMV 2026 lineup FAQ
When is All Things Go DMV 2026?
September 25–27, 2026, Friday through Sunday.
Where does All Things Go DMV take place?
Merriweather Post Pavilion in Columbia, MD, just outside Washington, DC.
Who is headlining All Things Go DMV 2026?
Mitski, Ethel Cain, The Hayley Williams Show, MUNA, Brandi Carlile, and Lola Young.
How many acts are playing?
47 acts across three days, plus comedy.
What days do specific acts play?
Every act's day is already on this page. Expand the full lineup below or check the day-by-day breakdown.
How is this different from All Things Go NYC?
Same weekend, two cities: the DMV flagship runs three days and multiple stages at Merriweather, while the NYC edition is a single-stage, all-female-and-nonbinary bill at Forest Hills Stadium. Several artists play both.
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